Abstract
This paper is concerned with the arts and culture policy in Hong Kong in the postcolonial context, after the 1997 reversion to Chinese sovereignty. It addresses itself to the main concerns of arts policy with a view not only to making cultural activities flourish, but also to shaping— if possible — a Hong Kong identity as a special administrative region of China, taking into account Hong Kong and its people as a cultural, political, economic and social location.
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