Abstract
This article examines the production of space through musical performance at the Chicago Cultural Center. Concerts at the Cultural Center produce space on the scale of the building, the city of Chicago, and the world. The process of the social production of space is examined through musical performance in terms of the relation between music and place, performance practices, and aural space. An analysis of the production of space in musical performances on multiple spatial scales provides a means of moving past the common distinctions made between material space, representations of space, and social space to a more integrated understanding of social space.
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