Media Cultures: Assemblages of Motion

Amirou R. 1989. ‘Sociability/Sociality,’ in Current Sociology, 37(1): 115–120.

Arendt H. 1970. On Violence, New York: Harcourt Brace Jovanovich.

Aumont, 1987. Montage Eisenstein, Bloomington: Indiana University Press.

Barthes R. 1977. Image, Music, Text, New York: Noonday Press.

Barthes R. 1973. Mythologies, St. Albans: Paladin.

Baudrillard Jean 1990. Revenge of the Crystal, London: Pluto Press.

Barthes R. 1987. The Ecstasy of Communication, New York: Semiotext(e).

Barthes R. 1983. Simulations, New York: Semiotext(e).

Bauman Z. 1995. Life in Fragments, Oxford: Blackwell.

Bhabha H. 1994. The Location of Culture, London: Routledge.

Boundas C. 1993. ‘Foreclosure of the Other: From Sartre to Deleuze,’ in Journal of the British Society for Phenomenology, 24(1): 32–43.

Bourdieu P. 1993. The Field of Cultural Production, New York: Columbia University Press.

Bourdieu P. 1977. Outline of a Theory of Practice, Cambridge: Cambridge University Press.

Buchanan I. ed., 1999. A Deleuzian Century?, Durham and London: Duke University Press.

Butler J. 1987. Subjects of Desire: Hegelian Reflections in Twentieth-Century France, New York: Columbia University Press.

Collins J. 1995. Architectures of Excess, New York: Routledge.

Debord G. 1994. The Society of the Spectacle, New York: Zone Books.

de Cauter L. 1993. ‘The Panoramic Ecstasy: On World Exhibitions and the Disintegration of Experience,’ in Theory, Culture and Society, 10(4): 1–23.

Deleuze G. 1991. Cinema 1: The Movement-Image, Minneapolis: University of Minnesota Press.

Deleuze G. 1989. Cinema 2: The Time-Image, Minneapolis: University of Minnesota Press.

Deleuze G. Guattari F. 1987. A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis: University of Minnesota Press.

Denzin N. 1995. ‘The Birth of the Cinematic, Surveillance Society, Motion,’ in Current Perspectives in Social Theory, Agger Ben (ed.). 15: 99–127.

Eco U. 1985. ‘Innovation and Repetition: Between Modern and Post-Modern Aesthetics,’ in Daedalus, 114. 161–184.

Eisenstein S. 1949. The Film Form, New York: Harcourt, Brace and Company.

Eisenstein S. 1942. The Film Sense, New York: Harcourt, Brace and Company.

Falk P. 1993. ‘The Representation of Presence: Outlining an Anti-aesthetics of Pornography,’ in Theory, Culture and Society, 10(3): 1–42.

Fiske J. 1989. Television Culture, London: Routledge.

Foucault M. 1980. The History of Sexuality Volume 1: An Introduction, New York: Vintage Books.

Foucault M. 1979. Discipline and Punish: The Birth of the Prison, New York: Vintage Books.

Gabriel B. Ilcan S. , eds. forthcoming. Postmoderism and the Ethical Subject, Ottawa/Montreal: Carleton University Press/McGill-Queen's University Press.

Giddens A. 1994. Beyond Left and Right: The Future of Radical Politics, Stanford: Stanford University Press.

Grossberg L. 1997. Dancing in Spite of Myself: Essays in Popular Culture, Durham and London: Duke University Press.

Jameson F. 1990. Signatures of the Visible, New York: Routledge.

Kaite B. 1991. ‘The Fetish in Sex, Lies, and Videotape,’ in Kroker and Kroker, 1991. Pp, 170–186.

Kellner D. 1995. Media Culture, New York: Routledge.

Kroker A. Levin C. 1991. ‘Cynical Power: The Fetishism of the Sign,’ in Canadian Journal of Political and Social Theory, 15(2): 123–187.

Kroker A. Kroker M. , eds. 1991. The Hysterical Male, New York: St. Martin's Press.

Maffesoli M. 1996. The Time of the Tribes, London: Sage Publications.

Maffesoli M. 1993. ‘The Social Ambiance,’ in Current Sociology, 41(2): 1–15.

Massumi B. 1996. ‘The Autonomy of Affect,’ in Patton ed., 1996. 217–239.

Metz C. 1982. The Imaginary Signifier: Psychoanalysis and the Cinema, Bloomington: Indiana University Press.

Metz C. 1974. Language and Cinema, The Hague: Mouton.

Murdock G. (1993. ‘Communications and the Constitution of Modernity,’ in Media, Culture and Society, 15(4): 521–539.

O'Connor D. forthcoming. Mediated Associations: Cinematic Dimensions of Social Theory, Montreal: McGill-Queen's University Press.

O'Connor D. 1997. ‘Lines of Flight: The Visual Apparatus in Foucault and Deleuze,’ in Space and Culture — the journal, 1: 49–66.