Book Review: Remaking Pacific pasts: History,memory,and identity in contemporary theater from Oceania.

Balme C. B. (1999). Decolonizing the stage: Theatrical syncretism and post-colonial drama. Oxford, England: Clarendon Press.

Carroll D. (1998). Way of a god [Typescript, with Hawaiian translations by Tammy Haili'opua Baker]. Kumu Kahua Theatre Archive, Honolulu, Hawai'i.

Dansey H. (1974). Te raukura/The feathers of the albatross: A narrative play in two acts. Auckland, New Zealand: Longman Paul.

Geary D. (2010). Mark Twain and me in Māoriland [Typescript]. Taki Rua Theatre Archive, Wellington, New Zealand.

Gope P. , & Kurtovitch N. (2002). Les dieux sont borgnes. Noumea, New Caledonia: Grain de Sable.

Hereniko V. (1987). The monster and other plays. Suva, Fiji: Mana.

Kneubuhl V. (1993). January, 1893 [Typescript]. Native American Women Playwrights Archive, Miami University, Oxford, Ohio.

Kneubuhl V. (2002). Hawai'i nei: Island plays. Honolulu, HI: University of Hawai'i Press.

Roach J. R. (1996). Cities of the dead: Circum-Atlantic performance. New York, NY: Columbia University Press.

Roach J. R. (2007). It. Ann Arbor, MI: University of Michigan Press.

Rokem F. (2000). Performing history: Theatrical representations of the past in contemporary theatre. Iowa City, IA: University of Iowa Press.

Sullivan R. (librettist), & Psathas J. (composer). (2002). Orpheus in Rarohenga. Libretto in Jubilee Gala Concert programme. Wellington, New Zealand: Orpheus Choir.

Taylor D. (2003). The archive and the repertoire: Performing cultural memory in the Americas. Durham, NC: Duke University Press.