Abstract
Unforgiven and A Perfect World have a strong connection in their representation of masculinity—both films represent the “normal” penis as critical to the formation of “good” masculinity and the “abnormal” and usually small penis as being at the center of “bad” masculinity. In Unforgiven, the entire narrative is set in motion when a prostitute laughs at a cowboy for having a small penis. In A Perfect World, the prisoner who escapes with the Kevin Costner character tells the boy they kidnap that his penis is too small, although Costner later assures him otherwise. This foregrounding of the penis in the formation of masculinity in these Eastwood-directed films relates to other recent films such as True Lies, in which a pathetic used-car salesman pretends to be a secret agent so that he can seduce women, desperately explaining that he does so because he has a “little dick.”
Keywords
Get full access to this article
View all access options for this article.
