Abstract
Finding inspiration from recent calls to consider the body, affect, movement, and otherwise as/in archives, this article focuses on events that took place with young archivists engaged in the act of drawing at a community center. These data-stories are put in conversation with spatial theory, children’s geographies, and feminist new materialisms to make sense of child-created archives and to offer researchers a way to (un)learn archival methods by acknowledging artifacts, as not only reflecting the community of makers but also reflecting the vibrancy of materials and space as an archival reciprocity.
Get full access to this article
View all access options for this article.
