In this performance autoethnography, the writer explores how a person, a young woman, opens her eyes to the occupation of the Palestinian territories, patriarchal values, her social privilege and her positioning as both oppressed and as an oppressor. The writer attempts to sequence her personal and sexual biographies, while resisting the dichotomies of personal/political, privilege/oppressive, and pleasure/pain; contextualizing one’s sexual, gendered, and ethnic body, at different positions of ignoring and resisting power relations.
MoreiraC. (2013). Mother is not brown: The “unmarked” performance of keeping the hair straight or the unpolitical racial performance of mother’s hair. Qualitative Inquiry, 19, 547-551.
6.
Sa’diA. H.Abu-LughodL. (Eds.). (2007). Nakba: Palestine, 1948, and the claims of memory. New York, NY: Columbia University Press.
7.
SlyomovicsS. (2007). The rape of Qula, a destroyed Palestinian village. In Sa’diA. H.Abu-LughodL. (Eds.), Nakba: Palestine, 1948, and the claims of memory (pp. 27-52). New York, NY: Columbia University Press.
8.
YiftachelO.SegalM. D. (1998). Jews and Druze in Israel: State control and ethnic resistance. Ethnic and Racial Studies, 21, 476-506.
