Abstract
Michel Henry’s radical reversal of world-referenced intentionality provides inspiration for drawing out the substantive features of relational flow analysis. To feel what you see is the overarching methodological cue in the consideration of flow affects. Flow moments are telling cues for discerning how there are not so much instances of temporal flux as there are impressions of vital connection that wax and wane in intensity. The depth of these impressions is the revelation of an all-encompassing hetero-affectivity wherein we are moved by the forces of life to take up in writing exemplary practices of relational flow.
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