Abstract
Good research poetry evokes what may be learned from a study to audiences. Ethical review boards and approval committees, however, see the preservation of anonymity as a key concern. When poetic forms convey individual portraits of research participants, how might researchers craft a believable yet credible portrait instead of one where the person is recognizable to some audiences? The researcher, then, makes deliberate and intentional decisions regarding representation of research. No matter how “good” the poetry might be, the researcher’s presented work is the connection between audience (the public domain) and their research contribution (the public issue).
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