This is an autoethnography about the lyrical vagaries of memory. I trace the contours of early life memories, evoked by song lyrics, and show how pivotal events sometimes come into play in startling ways, through the in-breaking of unexpected memory fragments. In the end, I fall into a space in which I hope to open up dialogue about the intersections of memory, song, story, and relational co-being and co-authorship.
GergenK. (2009). Relational being: Beyond self and community. New York, NY: Oxford University Press.
3.
GiddensA. (1991). Modernity and self-identity: Self and society in the late modern age. Palo Alto, CA: Stanford University Press.
4.
ParkerM. (1994). The geographical cure. New York, NY: Scribner.
5.
PercyW. (1960). The moviegoer. New York: Alfred A. Knopf.
6.
PicoultJ. (2011). Sing you home. New York, NY: Atria Books.
7.
PoulosC. N. (2009). Accidental ethnography: An inquiry into family secrecy. Walnut Creek, CA: Left Coast Press.
8.
PoulosC. N. (2013). Writing my way through: Memory, autoethnography, identity, hope. In JonesS. H.AdamsT. E.EllisC. (Eds.), Handbook of autoethnography (pp. 465-477). Walnut Creek, CA: Left Coast Press.
9.
SafireW. (Ed.). (1997). Lend me your ears: Great speeches in history. New York, NY: W.W. Norton.
10.
StewartJ. (1995). Language as articulate contact: Toward a post-semiotic philosophy of communication. Albany, NY: SUNY Press.
