Family Dynamics in the Representation of Childhood in Horror Film Trailers: A Cross-Cultural Analysis

Abstract

This research examines how child characters are represented within the context of family dynamics in global horror cinema, focusing on ten diverse horror film trailers from the past decade. Utilizing an analytical framework that encompasses cinematography, lighting, settings, symbolic imagery, sound effects, music, semiotics, interaction, and narrative context, the study draws on purposive sampling from regions including the United States, Canada, Australia, China, South Korea, Japan, India, Iran, Spain, and Scandinavia. This approach highlights the cultural nuances that shape the portrayal of children in horror. Grounded in psychoanalytic film theory and cultural semiotics, the study identifies recurring themes, motifs, and storytelling techniques while exploring the implications of human desire and curiosity within horror narratives. Key symbolic elements, such as dolls, mirrors, and color choices, serve as powerful storytelling devices. The interplay of cinematography, sound design, and symbolic imagery creates an emotional impact rooted in fear, suspense, and contemplation of dark themes. This research enriches psychoanalytic film theory and cultural semiotics, offering theoretical insights into the psychological and symbolic dimensions of horror narratives. By unraveling the relationship between innocence and horror, the study reveals how filmmakers strategically employ visuals and narratives to evoke fear and engage audiences.