Abstract
I investigate some aspects of the structure of the production of drawings by developing a practice-based phenomenology articulated around some “drawing problems.” The examples I chose cluster around decision making in drawing from life. I make a case for a propositional, explicit judgment-based action structure that makes it possible to accommodate some typical practices used in addressing drawing problems. I further hint to by-products (e.g. attention modulation) and “surrounding practices” (e.g. communication during the observation of a drawing activity) that find a plausible explanation in the propositional account of drawing.
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