Abstract
This article draws upon a Foucauldian analysis of power to conceptualise the human and non-human animal relations throughout the Netflix film Okja. The article examines how ‘super-pig’ Okja’s experiences (and subjectivities) are deeply shaped by the ‘apparatuses’ within which Okja is situated. As the power relationships and practices of ‘domination’ portrayed in Okja highlight, the legal categorisation of animals and their foundations within mainstream discourses reflect, and perpetuate, society’s understanding of the moral significance of animals. Okja’s transformation throughout the film, as well as her very existence as a hybrid ‘super-pig’, confuses the legal categorisation of non-human animals and highlights a double standard in the law.
Get full access to this article
View all access options for this article.