AbstractGet full access to this articleView all access options for this article.Get accessReferences1.See Hutchings Peter J. , The Criminal Spectre in Law, Literature and Aesthetics: Incriminating Subjects (2001) and Sekula Allan ‘The Body and the Archive’ 39 October (Winter, 1986) 3–64.2.See Alison Young's Foreword to Captive Images (vii).
