Abstract
Get full access to this article
View all access options for this article.
References
1.
Barsalou
L. W.
(2008 ). Grounded cognition . Annual Review of Psychology , 59 , 617 –645 .
2.
Cone
E. T.
(1974 ). The composer’s voice . Berkeley, CA : University of California Press .
3.
Langacker
R. W.
(1987 ). Foundations of cognitive grammar . Stanford, CA : Stanford University Press .
4.
Nettl
B.
(2010 ). The study of ethnomusicology: Thirty-One issues and concepts . Urbana, IL : University of Illinois Press . (Original work published 1983)
5.
Nussbaum
C. O.
(2007 ). The musical representation: Meaning, ontology, and emotion . Cambridge, MA : MIT Press .
6.
Zbikowski
L. M.
(2002 ). Conceptualizing music: Cognitive structure, theory, and analysis . New York, NY : Oxford University Press .
7.
Zbikowski
L. M.
(2015 ). Words, music, and meaning . Signata: Annales de sémiotiques / Annals of Semiotics , 6 , 143 –164 .