Editorial

Antović M . (2011). Musical metaphor revisited: Primitives, universals and conceptual blending. Retrieved from http://ssrn.com/abstract=1763503

Bache C . (2005). Constraining Conceptual Integration Theory: Levels of blending and disintegration. Journal of Pragmatics, 37, 1615–1635.

Bauer A . (2004). Tone-color, movement, changing harmonic planes: Cognition, constraints and conceptual blends. In Ashby A . (Ed.), Modernist music: The pleasure of modernist music: Intention, meaning, and the compositional avant-garde (pp. 121–152). Rochester, NY: University of Rochester Press.

Cook N . (2001). Theorizing musical meaning. Music Theory Spectrum, 23(2), 170–195.

Fauconnier G. Turner M . (2002). The way we think: Conceptual blending and the mind’s hidden complexities. New York: Basic Books.

Moore A. F . (2012). Song means: Analysing and interpreting recorded popular song. Farnham, UK: Ashgate.

Ox J . (2014). Analogy and conceptual blending are part of a visualization toolkit for artists and scientists: Introducing the cognitive space transfer. In Proceedings of the IEEE VIS2014 Arts Program VISAP’14: Art + Interpretation. Retrieved from http://visap.uic.edu/2014/papers/10_Ox_ConceptualBlending_VISAP2014.pdf

Schorlemmer M. Smaill A. Kühnberger K.-U. Kutz O. Colton S. Cambouropoulos E. Pease A . (2014). COINVENT: Towards a Computational Concept Invention Theory. In Proceedings of the 5th International Conference on Computational Creativity (pp. 288–296). Retrieved from: http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//14.1_Schorlemmer.pdf

Spitzer M . (2004). Metaphor and musical thought. Chicago: University of Chicago Press.

Stefanou D. Cambouropoulos E . (2015). Enriching the blend: Formal and social extensions to intra-musical and cross-domain conceptual blending. In Ginsborg J. Lamont A. Bramley S . (Eds.), Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM 2015) (pp. 753–760). Retrieved from: http://www.escom.org/proceedings/ESCOM9_Manchester_2015_Abstracts_Proceedings.pdf

Turner M . (Ed.). (2006). The artful mind: Cognitive science and the riddle of human creativity. New York: Oxford University Press.

Turner M . (2014). The origin of ideas: Blending, creativity and the human spark. New York: Oxford University Press.

Zbikowski L . (2002). Conceptualizing music. New York: Oxford University Press.

Zbikowski L . (2008). Metaphor and music. In Gibbs R. W Jr. . (Ed.), The Cambridge handbook on metaphor and thought (pp. 502–524). Cambridge, UK: Cambridge University Press.