Tracking the creative process in music: New issues,new methods

Clarke E. Doffman M. Lim L. (2013). Distributed creativity and ecological dynamics: A case study of Liza Lim’s Tongue of the Invisible. Music and Letters, 94(4), 628–663.

Deliège I. Richelle M. (2006). Prelude: The spectrum of musical creativity. In Deliège I. Wiggins G. A. (Eds.), Musical creativity: Multidisciplinary research in theory and practice (pp. 1–6). New York, NY: Psychology Press.

Donin N. (2012). Empirical and historical musicologies of compositional processes: Towards a cross-fertilization. In Collins D. (Ed.), The act of musical composition: Studies in the creative process (pp. 1–26). Farnham, UK: Ashgate.

Donin N. Grésillon A. Lebrave J.-L. (Eds.). (2015). Genèses musicales. Paris, France: Presses de l’université Paris-Sorbonne.

Frith S. Zagorski-Thomas S. (Eds.). (2012). The art of record production: An introductory reader for a new academic field. Burlington, VT: Ashgate.

Goldman J. (Ed.). (2016). Text and beyond: The process of music composition from the 19th to the 20th century. Bologna, Italy: Ut Orpheus.

Hargreaves D. Miell D. MacDonald R. (Eds.). (2011). Musical imaginations: Multidisciplinary perspectives on creativity, performance and perception. New York, NY: Oxford University Press.

Kinderman W. Jones J. (Eds.). (2009). Genetic criticism and the creative process: Essays from music, literature, and theater. Rochester, NY: University of Rochester Press.

Solis G. Nettl B. (Eds.). (2009). Musical improvisation: Art, education, and society. Urbana: University of Illinois Press.