Book Review: Karen Burland and Stephanie Pitts (Eds.).,Coughing and clapping: Investigating audience experience

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Davies S. (2010) Emotions expressed and aroused by music: Philosophical perspectives. In Juslin P. Sloboda J. (Eds.), Handbook of music and emotion: Theory, research, applications (pp. 15–44). Oxford, UK: Oxford University Press.

McConachie B. (2008). Engaging audiences: A cognitive approach to spectating in the theatre. New York, NY: Palgrave Macmillan

Pitts S. E. (2005). What makes an audience? Investigating the roles and experiences of listeners at a chamber music festival. Music and Letters, 86(2), 257–269.

Sutton R. A. (2009). Asia/Music of Indonesia. In Titon J. T. Cooley D. Locke D. McAllester D. P. Rasmussen A. K. Reck D. B. … Sutton R. A. (Eds.), Worlds of Asia: An introduction to the music of the world’s peoples (3rd ed., pp. 213–240). Independence, KY: Schirmer Cengage Learning.

van der Meer W. (2014). Audience response and expressive pitch inflections in a live recording of legendary singer Kesar Bai Kerkar. In Fabian D. Timmers R. Schubert E. (Eds.), Expressiveness in musical performance: Empirical approaches across styles and cultures (pp. 170–184). Oxford, UK: Oxford University Press.