AgawuK. (1992). Review of the book Music and discourse: Towards a semiology of music, by Jean-Jacques Nattiez. Music & Letters, 73, 317–319.
2.
ClarkS. (2011). Analysing Schubert. Cambridge, UK: Cambridge University Press.
3.
CookN. (2014). Beyond the score: Music as performance. New York, NY: Oxford University Press.
4.
GreyT. (2011). In the realm of the senses: Sight, sound and the music of desire in Tristan und Isolde. In GroosA. (Ed.), Richard Wagner: Tristan und Isolde (pp. 69–94). Cambridge, UK: Cambridge University Press.
5.
NattiezJ-J. (1975). Fondements d’une sémiologie de la musique. Paris, France: Union général d’éditions.
6.
NattiezJ-J. (1990). Music and discourse: Towards a semiology of music (AbbateC, Trans.). Princeton, NJ: Princeton University Press.
7.
NewmanE. (1991). The Wagner operas. Princeton, NJ: Princeton University Press. (Original work published 1949)
8.
TaruskinR. (2004). The poietic fallacy. The Musical Times, 7–34.
9.
TrippettD. (2013). Wagner’s melodies: Aesthetics and materialism in German musical identity. Cambridge, UK: Cambridge University Press.
10.
WagnerR. (1988). Sämtliche Briefe (Vol. 8, BauerH-J.FornerJ., Eds.). Leizpig, Germany: VEB Deutscher Verlag.