Anthony Gritten and Elaine King (eds),Music and Gesture . Ashgate Publishing (2006). 232 pp. ISBN-10: 0-75546-5298-X

Ake D. (2002). Jazz Cultures. California: University of California Press.

Cox A. (2001). The Mimetic Hypothesis and Embodied Musical Meaning. Musicae Scientiae 5/2: 195–209.

Davidson J. W. (2001). The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox. Musicael Scientiae 5/2: 235–56.

Davidson J. W. (2002). Understanding the Expressive Movements of a Solo Pianist. Musikpsychologie 16: 9–31.

Delalande F. (1988). La Gestique de Gould: élements pour une Sémiologie du Geste Musical. In Guertin G. (ed.), Glenn Gould Pluriel (pp. 85–111). Québec: Louise Courteau.

Ekman P. Friesen W. V. (1969). The repertory of nonverbal behaviour: Categories, Origins, Usage and Coding. Semiotica 1: 49–98.

Hatten R. S. (2001). Online Lectures on Music and Gesture. Cyber Institute of Semiotics (http://www.chass.utoronto.ca/epc/srb/cyber/hatout.html).

Lakoff G. Johnson M. (1999). Philosophy in the Flesh: The Embodied Mind and its Challenge to Western Thought. New York: Basic Books.

Lidov D. (1987). Mind and Body in Music. Semiotica 66 1/3: 69–97.