Book Review: The Cognition of Basic Musical Structures

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Cambouropoulos E. (1998a). Musical parallelism and melodic segmentation. In Proceedings of the XII Colloquium of Musical Informatics (pp. 111–4). Gorizia, Italy.

Cambouropoulos E. (1998b). Towards a General Computational Theory of Musical Structure. PhD thesis, University of Edinburgh.

Cambouropoulos E. (2000). From MIDI to Traditional Musical Notation. In Proceedings of the AAAI 2000 Workshop on Artificial Intelligence and Music, 17th National Conference on Artificial Intelligence (AAAI′2000) (pp. 19–23). Austin, TX.

Cambouropoulos E. (2001a). Automatic Pitch Spelling: From Numbers to Sharps and Flats. VIII Brazilian Symposium on Computer Music (SB&CM 2001).

Cambouropoulos E. (2001b). Melodic Cue Abstraction, Similarity, and Category Formation: A Formal Model. Music Perception, 18 (3), 347ff.

Cambouropoulos E. Smaill A. (1995). A computational theory for the discovery of parallel melodic passages. In Proceedings of the XI Colloquio di Informatica Musicale (pp. 67–70). Bologna, Italy.

Cambouropoulos E. Crochemore M. Iliopoulos C. S. Mouchard L. Pinzon Y. J. (1999a). Algorithms for computing approximate repetitions in musical sequences. In Proceedings of the 10th Australasian Workshop on Combinatorial Algorithms (AWOCA′99) (pp. 129–44). Perth, WA, Australia.

Cambouropoulos E. Smaill A. Widmer G. (1999b). A clustering algorithm for melodic analysis. In DIDEROT FORUM on Mathematics and Music: Computational and Mathematical Methods in Music (pp. 21–8). Vienna.

Cambouropoulos E. Crawford T. Iliopoulos C. S. (1999c). Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects. In Proceedings of the AISB′99 Symposium on Musical Creativity (pp. 42–7). Edinburgh.

Cambouropoulos E. Crawford T Iliopoulos C. S. (2000). Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects. Computers and the Humanities, 34 (4).

Cormen T. H. Leiserson C. E. Rivest R. L. (1990). Introduction to Algorithms. Cambridge, MA: MIT Press.

Deutsch D. Feroe J. (1981). The Internal Representation of Pitch Sequences in Tonal Music. Psychological Review, 88 (6), 503–22.

Dixon S. (1999). A beat tracking system for audio signals. In Proceedings of the DiderotForum on Mathematics and Music: Computational and Mathematical Methods in Music, December 2–4 (pp. 101–10). Vienna.

Dixon S. (2000). A Lightweight Multi-Agent Musical Beat Tracking System. In PRICAI 2000: Proceedings of the Pacific Rim International Conference on Artificial Intelligence (pp. 778–88). Melbourne, Australia.

Dixon S. Cambouropoulos E. (2000). Beat Tracking with Musical Knowledge. In ECAI 2000: Proceedings of the 14th European Conference on Artificial Intelligence (pp. 626–30). Berlin, Germany.

Drake C. Palmer C. (1993). Accent structures in music performance. Music Perception, 10, 348–78.

Forte A. Gilbert S. E. (1982). Introduction to Schenkerian Analysis. New York: Norton.

Holtzman S. R. (1977). A program for key determination. Interface, 6, 29–56.

Kostka S. Payne D. (1995). Workbook far Tonal Harmony. New York: McGraw-Hill.

Krumhansl C. L. (1990). Cognitive Foundations of Musical Pitch. (Oxford Psychology Series, Vol. 17). New York and Oxford: Oxford University Press.

Lerdahl F Jackendoff R. (1983). A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.

Longuet-Higgins H. C. Steedman M. J. (1971). On interpreting Bach. In Meltzer B. and Michie D. (eds.), Machine Intelligence (Vol. 6) (pp. 221–41). Edinburgh, University of Edinburgh Press.

Meredith D. Wiggins G. A. Lemström K. (2001). Pattern induction and matching in polyphonic music and other multidimensional datasets. In Proceedings of the 5th World Multiconference on Systemics, Cybernetics and Informatics (SCI2001), July 22–25 (Vol. X) (pp. 61–6). Orlando, FL.

Meredith D. Lemstrom K. Wiggins G. A. (2002). Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music. Journal of New Music Research, to appear.

Ortmann O. (1926). On the melodic relativity of tones. Psychological Monographs 35 (Whole No. 162).

Palmer C. Kelly M. (1992). Linguistic prosody and musical meter in song. Journal of Memory and Language, 31, 525–42.

Piston W. (1978). Harmony. London: Gollancz.

Rolland P.-Y. (1999). Discovering patterns in musical sequences. Journal of New Music Research, 28 (4), 334–50.

Scheirer E. D. (1998). Tempo and beat analysis of acoustic musical signals. Journal of the Acoustical Society of America, 103 (1), 588–601.

Scheirer E. D. (2000). Music Listening Systems. PhD thesis, MIT.

Sloboda J. A. (1983). The communication of musical metre in piano performance. Quarterly Journal of Experimental Psychology, 35, 377–96.

Temperley D. (2001). The Cognition of Basic Musical Structures. Cambridge, MA: MIT Press.

van Noorden L. P. A. S. (1975). Temporal coherence in the perception of tone sequences. PhD thesis, Eindhoven University of Technology, Eindhoven, The Netherlands.

Vos P. G. van Geenen E. W. (1996). A parallel-processing key-finding model. Music Perception, 14, 185–224.