Book Review: Encoding Strategies for Pitch Information

Attneave F. Olson R. K. (1971). Pitch as medium: A new approach to psychophysical scaling. American Journal of Psychology, 84, 147–66.

Baddeley A . (1986). Working Memory. Oxford: Clarendon Press.

Bartlett J.C. Dowling W.J. (1980). Recognition of Transposed Melodies: A Key-Distance Effect in Developmental Perspective. Journal of Experimental Psychology: Human Perception & Performance, 6, 501–15.

Dowling W.J. Bartlett J.C. (1981). The Importance of Interval Information in Long-Term Memory for Melodies. Psychomusicology, 1, 30–49.

Krumhansl C.L. Shepard R.N. (1979). Quantification of the Hierarchy of Tonal Functions within a Diatonic Context. Journal of Experimental Psychology: Human Perception & Performance, 5, 579–94.

Smith J.D. (1997). The Place of Musical Novices in Music Science. Music Perception, 14, 227–62.

Smith J.D. Nelson D.G. K. Grohshkopf L.A. Applcton T . (1994). What Child is This? What Interval was that? Familiar Tunes and Music Perception in Novice Listeners. Cognition, 52, 23–54.

Trchub S.E. Trainor L.J. (1993). Listening strategies in infancy: The roots of music and language development. In McAdams S. Bigand E . (Eds), Thinking in Sound: The Cognitive Psychology of Human Audition (pp. 278–327). Oxford: Oxford University Press.