This article explores how unions self-organise in response to the shifting social and economic landscape of the present times. It takes up the case of a union in Bollywood, the Association of Cine and television Art Directors and Costume Designers (ACTADCD), to examine how it constitutes itself in process. In doing so, this article explores the history of the union and two episodes of its coming together in the recent past: the 2017 multi-union strike outside the film studio complex, Filmcity in Goregaon, Mumbai and the first Art and Costume exhibition in 2019 at The Bombay Art Society art gallery of Bandra.
BurawoyM. (2008). The public turn: From labor process to labor movement. Work and Occupations, 35(4), 371–387. https://doi.org/10.1177/0730888408325125
2.
ChananaO. (2011). The missing 3 in Bollywood: Safety, security, shelter. UNI Global Union. http://hdl.handle.net/2451/33878
3.
ChandavarkarR. (Ed.). (1998). Imperial power and popular politics: Class, resistance and the state in India, c. 1850–1950. Cambridge University Press.
4.
LeleJ. (1995). Saffronization of the Shiv Sena: The political economy of city, state and nation. In PatelS. & ThornerA. (Eds), Bombay: Metaphor for modern India (pp. 185–212). Oxford University Press.
5.
MezzadriA. (2017). The sweatshop regime: Labouring bodies, exploited women, and global production. Cambridge University Press.
6.
MhaskarS. (2012). The unmaking of the worker-self in post-industrial Mumbai: A study of ex-millworkers’ responses to the closure of textile mills in Girangaon [Doctoral dissertation]. University of Oxford.
7.
RajadhyakshaA. (2014). ‘Make every Indian a creator of intellectual property’: Mumbai’s casual labour as a creative class. Inter-Asia Cultural Studies, 15(4), 608–624. https://doi.org/10.1080/14649373.2014.975401
