Editorial

Acland C. , & Wasson H. (Eds.). (2011). Useful cinema. Duke University Press.

Ahmad I. (2008). Cracks in the ‘mightiest fortress’: Jamaat-e-Islami’s changing discourse on women. Modern Asian Studies, 42(2–3), 549–575.

Akhtar Z. , & Kagti R. (2019–). Made in heaven [Web series]. Hindi.

Alonso I. H. (2023). Radio for the millions: Hindi-Urdu broadcasting across borders. Columbia University Press.

Astor M. (2024, September 15). Vance sticks by pet-eating claims and says he’s willing to ‘create stories’. The New York Times. https://www.nytimes.com/2024/09/15/us/politics/jd-vance-springfield-pets.html

Atre P. K. (Director). (1954). Mahatma Phule [Motion picture]. Marathi.

Bhattacharya B. (Director). (1971). Anubhav [Motion picture]. Hindi.

Bhattacharya B. (Director). (1974). Aavishkar [Motion picture]. Hindi.

Bhavnani M. (Director). (1927). Wildcat of Bombay [Motion picture]. Silent.

Elam J. D. (2017). The martyr, the moviegoer: Bhagat Singh at the cinema. Bioscope: South Asian Screen Studies, 8(2), 181–203.

Gopal S. (2011). Conjugations: Marriage and form in new Bollywood cinema. University of Chicago Press.

Farley R. (2023, August 3). What Trump asked of Pence. FactCheck.org. https://www.factcheck.org/2023/08/what-trump-asked-of-pence/

Hediger V. , & Vonderau P. (Eds.). (2009). Films that work. University of Amsterdam Press.

Hediger V. , Hoof F. , Zimmerman Y. , & Anthony S. (2023). Films that work harder: The circulations of industrial film. Meson Press.

Jay M. (2010). The virtues of mendacity: On lying in politics. University of Virginia Press.

Johar K. (Director). (2006). Kabhi Alvida Naa Kehna [Motion picture]. Hindi.

Krishnan R. K. , Sriramachandran R. Ravindran , & Subagunarajan V. M. S. (2022). Rule of the commoner: DMK and the formations of the political in Tamil Nadu, 1949–1967. Cambridge University Press and ICAS.

Mukherjee H. (Director). (1960). Anuradha [Motion picture]. Hindi.

Osten F. (Director). (1935). Achhut Kanya [Motion picture]. Hindi.

Pollard H. A. (Director). (1927). Uncle Tom’s Cabin [Motion picture]. USA. Silent.

Prasad M. (2021). Darshan(a). Bioscope: South Asian Screen Studies, 12(1–2), 53–56.

Punathambekar A. (2013). From Bombay to Bollywood: The making of a global media industry. New York University Press.

Kagti R. (Director). (2007). Honeymoon Travels Pvt. Ltd. [Motion picture]. Hindi.

Kagti R. , & Oberoi R. (2023–). Dahaad [Web series]. Hindi.

Maci S. M. , Demata M. , McGlashan M. , & Seargeant P. (Eds.). (2024). The Routledge handbook of discourse and disinformation. Routledge.

Pandian M. S. S. (1991). Parashakthi: Life and times of a DMK film. Economic & Political Weekly, 26(11–12), 759–770.

Ray S. (Director). (1963). Mahanagar [Motion picture]. Bengali.

Ray S. (Director). (1964). Charulata [Motion picture]. Bengali.

Ray S. (Director). (1965). Kapurush [Motion picture]. Bengali.

Siddique S. (2021). Islamicate. Bioscope: South Asian Screen Studies, 12(1–2), 117–120.

Sinha T. (Director). (1964). Jotugriha [Motion picture]. Bengali.

Vasudevan R. (2010). The Contemporary Film Industry—II: Textual Form, Genre Diversity, and Industrial Strategies. In The melodramatic public: Film form and spectatorship in Indian cinema (pp. 362–397). Permanent Black.