Restricted accessBook reviewFirst published online 2020-6
Book review: S. A. Chatterji,Filming Reality: The Independent Documentary Movement in India,K. P. Jayasankar & A. Monteiro,A Fly in the Curry: Independent Documentary Film in India and A. Sharma,Documentary Films in India: Critical Aesthetics at Work
S. A. Chatterji, Filming Reality: The Independent Documentary Movement in India. SAGE Publications, 2015, 320 pp., $59.99.
K. P. Jayasankar & A. Monteiro, A Fly in the Curry: Independent Documentary Film in India. SAGE Publications, 2016, 276 pp., $54.99.
A. Sharma, Documentary Films in India: Critical Aesthetics at Work. Palgrave Macmillan, 2015, XIII, 276 pp., 41.59€.
Get full access to this article
View all access options for this article.
References
1.
BandiS. (2016). ‘Sober encounters’: The neoliberal logics of human rights documentary and Indian feminist documentary filmmakers. Feminist Media Studies, 16(2), 223–238.
2.
BattagliaG. (2014). The video turn: Documentary film practices in 1980s India. Visual Anthropology, 27(1–2), 72–90.
3.
BattagliaG. (2017). Documentary film in India: An anthropological history. Routledge.
4.
DeprezC. (2013). The Films Division of India, 1948–1964: The early days and the influence of the British documentary film tradition. Film History: An International Journal, 25(3), 149–173.
5.
GadihokeS. (2012). Secrets and inner voices: The self and subjectivity in contemporary Indian documentary. In LebowA. (Ed.), The cinema of me: The self and subjectivity in first person documentary (pp. 142–155). Wallflower Press.
6.
GargaB. D. (2007). From raj to swaraj: The non-fiction film in India. Penguin Books India.
7.
HariharanV. (2014). Representations of violence in the first-person documentary: Archival footage and documentary consciousness. Studies in South Asian Film & Media, 6(1), 45–59.
8.
JainA. (2013). The curious case of the Films Division: Some annotations on the beginnings of Indian documentary cinema in post-independence India, 1940s–1960s. The Velvet Light Trap, 71(Spring), 15–26.
9.
KapurJ. (2003). Why the personal is still political: Some lessons from contemporary Indian documentary. Jump Cut: A Review of Contemporary Media, 46. http://www.ejumpcut.org/archive/jc46.2003/indiandocs.kapur/index.html
10.
KaushikR. (2017). ‘Sun in the Belly’: Film practice at Films Division of India 1965–1975. Bioscope: South Asian Screen Studies, 8(1), 103–123.
11.
KishoreS. (2016). Participation, poetry and song: Anand Patwardhan and New Latin American cinema. Jump Cut: A Review of Contemporary Media, (57). https://www.ejumpcut.org/archive/jc57.2016/-KishoreIndiaDoc/index.html
12.
KishoreS. (2017) The promise of portability: CENDIT and the infrastructure, politics, and practice of video as little media in India 1972–1990. Bioscope: South Asian Screen Studies, 8(1), 124–145.
13.
MacDougallD. (Producer & Director). (2000). Doon School chronicles [Motion picture]. Australia: Centre for Cross-Cultural Research, Australian National University.
14.
MacDougallD. (Producer & Director). (2008). Gandhi’s children [Motion picture]. Australia: Fieldwork Films/ Centre for Cross-Cultural Research, Australian National University.
15.
RajagopalA., & VohraP. (2012). On the aesthetics and ideology of the Indian documentary film: A conversation. BioScope: South Asian Screen Studies, I(7), 7–20.
SutorisP. (2016). Visions of development: Films division of India and the imagination of progress, 1948–1975. Hurst & Company.
18.
TiwaryI. (2018). Video news magazine as documentary evidence: The case of Kalchakra. Marg: A Magazine of the Arts, 70(1), 86–89.
19.
Unit for Media and Communications, Tata Institute of Social Sciences (Producer) & JayasankarK. P., & MonteiroA. (Directors). (1997). YCP 1997 [Motion picture]. India: Culture Unplugged.
20.
VasudevanR. (2011). Exploring information film in India 1920s–1940s. In GrievesonL. and MacCabeC. (Eds.), Film and the end of empire (pp. 115–119). Palgrave Macmillan.
21.
VasudevanR. (2017). From advertising to public education: Notes on Burmah-Shell in India. Marg: A Magazine of the Arts, 68(3), 115–119.
22.
VohraP. (2011). Dotting the I: The politics of self-less-ness in Indian documentary practice. South Asian Popular Culture, 9(1), 43–53.
23.
WaughT. (2011). ‘Words of command’: Cultural and political inflections of direct cinema in Indian independent documentary (1990). In The right to play oneself: looking back on documentary film (pp. 239–267). University of Minnesota Press.
24.
WolfN. (2007). Make it real. Documentary and other cinematic experiments by women filmmakers in India (PhD dissertation). Europea-Universitat Viadrina.
25.
WolfN. (2018). Metabolisms of the Feminist Archive and the Nowness of Yugantar (1980–1983). Marg, A Magazine of the Arts, 70(1), 42–49.
