AcklandC. & WassonH. (2011). Useful cinema. Durham: Duke University Press.
2.
AmadP. (2010). Counter-archive: Film, The Everyday, and Albert Kahn’s Archives de la Planète. New York: Columbia University Press.
3.
ElsaesserT. (2009). Archives and archaeologies: The place of non-fiction film in contemporary media. In Hediger and Vondereau (Eds), Films That Work: Industrial Film and the Productivity of Labour (pp. 19–34). Amsterdam: Amsterdam University Press.
4.
HaynesD.McGowanA.RoyT. & YanagisawaH. (Eds). (2010). Towards a history of consumption in South Asia. Delhi: Oxford University Press.
5.
HedigerV. & VondereauP. (2009). Films that work: Industrial film and the productivity of media. Amsterdam: Amsterdam University Press.
6.
PadgaonkarD. (2008). Under her spell: Roberto Rossellini in India. Delhi: Penguin.
7.
RoyS. (2007). Beyond belief: India and the politics of post-colonial nationalism. Durham: Duke University Press.
8.
SesonskeA. (2005). The river runs, the round world spins. New Review of Film and Television Studies, 3(2), 105–131.
9.
SutorisP. (2016). Visions of development: Films Division of India and the imagination of progress, 1948–1975. Delhi: Oxford University Press.