Abstract
Ritual, a reflection of human nature, society, and culture, influences various performance traditions as a form of symbolism, a way of communicating and a vehicle of transformation. Additionally, performance as an embodied process characterizes the constitutive of culture signifying the study of man. This integration of ritual and performance is mirrored in the Chaitra Parva or the Spring Festival, celebrated annually in honor of Lord Shiva, invoking rain. During this ritual worship, the devotees undertake severe austerities through renunciation and self-mortification, and the Chhau dancers incarnate the gods, goddesses, and demons through their highly stylized masked dance. Drawing references to a series of rituals and performances, the present study explores the major events of the last four days of Chaitra Parva and its constitutive performing art of Chhau. The study also involves enquiring about the people of Purulia district in West Bengal and their cultural heritage to provide an empirical grounding to this study. It also introduces the background and context of the Hindu epics and focuses on the myth of Lord Shiva and the history of Shiva temple at Lohoria in Purulia. Finally, through a synthesis of performative rituals, performances and spirituality, the present study shows how the people find meaning, significance, and connection in those ritual rites and performances which bind them together with a sense of cultural identity and belongingness.
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