Abstract
This study delves into the intricate interplay between cinema, theology, and gender-based violence through a feminist lens. It centers on the film Mulan as a unique source of theological reflection in addressing cases of gender-based violence. The title, “The Body as a Battlefield,” encapsulates the core theme of this research, emphasizing the body as a contested terrain where power dynamics and societal norms converge. Through a meticulous feminist interpretation of the film, we explore how Mulan’s narrative challenges traditional gender roles, illuminates the resilience of the female body, and offers a fresh perspective on theological discourse. By bridging the realms of film analysis, feminist theology, and social justice, this study contributes to a deeper understanding of how popular culture can serve as a resource for theological engagement in the pursuit of gender equality and the eradication of gender-based violence.
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