Abstract
The multicultural work, The Dream of the Red Chamber, posits a field for exploring the interconnection between Confucian interpretations and its intrinsic Goddess narrative. In this article, I examine the reconciliation of the former with the latter. The immanent transcendence in Neo-Confucianism is not enough for interpreting this novel, for covering the question of a natural connection between Vermilion Pearl and Shen Ying, for a dichotomy of tian and the earth, the transcendent and the immanent. The Goddess narrative of repairing tian can rectify this difficult position and a nomadic spirituality forged in a mutually cultivating process is proposed, both to rescue the Confucian interpretation of the novel and to find a way of reconciling the Confucian ‘tian’ and the Goddess.
Get full access to this article
View all access options for this article.