Abstract
Marcella Althaus-Reid proposes the Bi/Christ in her sexual reconstruction of theology. Goss examines three representational strategies of the obscene Christ to test the inclusiveness of her model. He applies Judith Butler's notion of gender performativity to the pop star Madonna to suggest an accessorizing of Althaus-Reid's model of the Bi/Christ to the Bi/Transvestite Christ.
Get full access to this article
View all access options for this article.