The year’s work in stylistics 2018

Alber J (2018) They-narratives. In: Gibbons A Macrae A (eds) Pronouns in Literature. Basingstoke: Palgrave Macmillan, pp. 131–150.

Atwood M ([1985] 1996) The Handmaid’s Tale. London: Vintage.

Ballard JG (1962) The Drowned World. London: Harper Collins.

Barlow M (2018) The individual and the group from a corpus perspective. In: Čermáková A Mahlberg M (eds) The Corpus Linguistic Discourse: In Honour of Wolfgang Teubert. Amsterdam; Philadelphia, PA: John Benjamins, pp. 163–184.

Bednarek M (2010) The Language of Fictional Television: Drama and Identity. London: Continuum.

Bednarek M (2018a) Language and Television Series: A Linguistic Approach to TV Dialogue. Cambridge: Cambridge University Press.

Bednarek M (2018b) Analyzing pop culture. In: Werner V (ed) The Language of Pop Culture. London; New York: Routledge, pp. 255–264.

Behn A ([1682] 2010) The Young King. Whitefish, MT: Kessinger.

Bértoli P (2018) Song lyrics: From multi-dimensional analysis to the foreign language classroom. In: Werner V (ed.) The Language of Pop Culture. London; New York: Routledge, pp. 210–229.

Beyer C (2018) ‘In the suitcase was a boy’: Representing transnational child trafficking in contemporary crime fiction. In: Gregoriou C (ed.) Representations of Transnational Human Trafficking: Present-day News Media, True Crime, Fiction. Basingstoke: Palgrave Macmillan, pp. 89–116.

Bousfield D McIntyre D (2018) Creative linguistic impoliteness as aggression in Stanley Kubrick’s Full Metal Jacket. Journal of Literary Semantics 47(1): 43–65.

Bramlett F (2018) Linguistic discourse in web comics: Extending conversation and narrative into alt-Text and hidden comics. In: Werner V (ed.) The Language of Pop Culture. London; New York: Routledge, pp. 72–92.

Bray J (2018a) Quotation and overhearing in Austen. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 225–236.

Bray J (2018b) The Language of Jane Austen. Basingstoke: Palgrave Macmillan.

Browse S (2018a) From functional to cognitive grammar in stylistic analysis of Golding’s The Inheritors. Journal of Literary Semantics 47(2): 121–146.

Browse S (2018b) Cognitive Rhetoric. Amsterdam; Philadelphia, PA: John Benjamins.

Buckledee S (2018) The Language of Brexit: How Britain Talked Its Way Out of the European Union. London; New York: Bloomsbury.

Busse U (2018) Lear’s questions revisited. English Text Construction 11(1): 60–80.

Čermáková A Mahlberg M (2018b) Translating fictional characters: Alice and the Queen from the Wonderland in English and Czech. In: Čermáková A Mahlberg M (eds) The Corpus Linguistic Discourse: In Honour of Wolfgang Teubert. Amsterdam; Philadelphia, PA: John Benjamins, pp.223–254.

Čermáková A Mahlberg M (eds) (2018a) The Corpus Linguistic Discourse: In Honour of Wolfgang Teubert. Amsterdam; Philadelphia, PA: John Benjamins.

Chovanec J (2018) Irony as counter positioning: Reader comments on the EU migrant crisis. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 164–194.

Clark B (2018) Indeterminacy and interpretation: What is shown and what is hidden in Michael Haneke’s Caché. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp.164–176.

Culpeper J Findlay A Cortese B , et al. (2018) Measuring emotional temperatures in Shakespeare’s drama. English Text Construction 11(1): 10–37.

de Vries C Reijnierse WG Willems R (2018) Eye movements reveal readers’ sensitivity to deliberate metaphors during narrative reading. Scientific Study of Literature 8(1): 135–164.

Dearey M (2018) Who are the traffickers? A cultural criminological analysis of traffickers as represented in the Al Jazeera documentary series. Modern Slavery: A Twenty-first Century Evil. In: Gregoriou C (ed.) Representations of Transnational Human Trafficking: Present-day News Media, True Crime, Fiction. Basingstoke: Palgrave Macmillan, pp. 117–142.

Delazari I (2018) Overhearing diegetic music in narrative fiction: Instances of verbally transmitted musical experience. Narrative 26(2): 221–239.

Dorst AG (2018) Translating metaphorical mind style: Machinery and ice metaphors in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Perspectives 27: 875–889.

Dynel M (2018a) Deconstructing the myth of positively evaluative irony. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 41–58.

Dynel M (2018b) Irony, Deception and Humour: Seeking the Truth about Overt and Covert Untruthfulness. Berlin; Boston, MA: De Gruyter.

Eagleton T (2008) Literary Theory: An Introduction. 3rd edition. Minnesota: University of Minnesota Press.

Emmott C (2018) The observing We in literary representations of neglect and social alienation: Types of narrator involvement in Janice Galloway’s ‘Scenes from the life No. 26: The Community and the Senior Citizen’ and Jon McGregor’s Even the Dogs. In: Gibbons A Macrae A (eds) Pronouns in Literature. Basingstoke: Palgrave Macmillan, pp. 151–170.

Empson W ([1930] 2004) Seven Types of Ambiguity. London: Random House.

Fludernik M (2018) Let us tell you our story: We-narration and its pronominal peculiarities. In: Gibbons A Macrae A (eds) Pronouns in Literature. Basingstoke: Palgrave Macmillan, pp. 171: 192.

Fowler R (1975) Style and Structure in Literature: Essays in the New Stylistics. Oxford: Basil Blackwell.

Fromonot J (2018) The face-value of face-work in William Makepeace Thackeray’s handling of irony. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 121–140.

Gardelle L Sorlin S (eds) (2015) The Pragmatics of Personal Pronouns. Amsterdam; Philadelphia, PA: John Benjamins.

Gardner N (2007) A Friend Like Henry. London: Hodder & Stoughton.

Gibbons A (2012) Multimodality, Cognition, and Experimental Literature. London; New York: Routledge.

Gibbons A (2018) Autonarration, I, and odd address in Ben Lerner’s Autofictional 10:04. In: Gibbons A Macrae A (eds) Pronouns in Literature. Basingstoke: Palgrave Macmillan, pp. 75–96.

Gibbons A Macrae A (eds) (2018) Pronouns in Literature. Basingstoke: Palgrave Macmillan.

Giovanelli M (2014) Teaching Grammar, Structure and Meaning. London; New York: Routledge.

Giovanelli M Harrison C (2018) Cognitive Grammar in Stylistics: A Practical Guide. London; New York: Bloomsbury.

Gonzálvez-García F (2018) Taming iconicity in the Spanish and Italian translations of Shakespeare’s Sonnets: Some observations from a (Contrastive) (Cognitive) construction grammar perspective. English Text Construction 11(1): 105–140.

Granger S (2018) Tracking the third code: A cross-linguistic corpus-driven approach to metadiscursive markers. In: Čermáková A Mahlberg M (eds) The Corpus Linguistic Discourse: In Honour of Wolfgang Teubert. Amsterdam; Philadelphia, PA: John Benjamins, pp. 184–204.

Green H (1929) Living. Darlington: JM Dent.

Gregoriou C Ras I (2018) Representations of transnational human trafficking: A critical review. In: Gregoriou C (ed) Representations of Transnational Human Trafficking: Present-day News Media, True Crime, Fiction. Basingstoke: Palgrave Macmillan, pp. 1–24.

Gregoriou C (ed) (2018) Representations of Transnational Human Trafficking: Present-day News Media, True Crime, Fiction. Basingstoke: Palgrave Macmillan.

Grice HP (1975) Logic and conversation. In: Cole P Morgan J (eds) Syntax and Semantics 3: Speech Acts. New York: Academic Press, pp. 41–58.

Hadar D (2018) Author-characters and authorial public image: The elderly protagonists in Philip Roth and Nicole Krauss. Narrative 26(3): 282–301.

Hall G (2018) Literature and the English language. In: Seargeant P Hewings A Pihlaja S (eds) The Routledge Handbook of English Language Studies. London; New York: Routledge, pp. 265–279.

Hanauer DI (2018) Intermediate states of literariness: Poetic lining, sociological positioning, and the activation of literariness. Scientific Study of Literature 8(1): 114–134.

Harrison C (2017) Cognitive Grammar in Contemporary Fiction. Amsterdam; Philadelphia, PA: John Benjamins.

Harrison C Nuttall L Stockwell P , et al. (eds) (2014) Cognitive Grammar in Literature. Amsterdam; Philadelphia, PA: John Benjamins.

Hatavara M Hyvärinen M Mäkelä M , et al. (eds) (2016) Narrative Theory, Literature, and New Media: Narrative Minds and Virtual Worlds. London; New York: Routledge.

Herman D (2018) Narratology and beyond the Human: Storytelling and Animal Life. Oxford: Oxford University Press.

Ho Y Lugea J McIntyre D , et al. (2018) Projecting (un)certainty. A text-world analysis of three statements from the Meredith Kercher murder case. English Text Construction 11(2): 285–316.

Hogenraad R (2018) Smoke and mirrors: Tracing ambiguity in texts. Digital Scholarship in the Humanities 33(2): 297–315.

Ikeo R (2018) Unshared presuppositions and assumptions in Flannery O’Connor’s Wise Blood. Style 52(3): 189–211.

Isaacson R (2009) The Horse Boy. London: Penguin.

Ishiguro K (2005) Never Let Me Go. London: Faber & Faber.

Jansen L (2018) ‘Britpop is a thing, damn it’: On British attitudes towards American English and an Americanized singing style. In: Werner V (ed.) The Language of Pop Culture. London; New York: Routledge, pp. 116–136.

Jeffries L (2018) Irony in a theory of textual meaning. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 3–22.

Jeffries L McIntyre D (2018) The devil has all the best tunes: An investigation of the lexical phenomenon of Brexit. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 103–122.

Jobert M (2018) Winnie-the-Pooh goes paralinguistic. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 209–224.

Jobert M Sorlin S (eds) (2018) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins.

Lakoff G Johnson M (1980) Metaphors We Live By. Chicago, IL: Chicago University Press.

Lambrou M (2018) La La Land: Counterfactuality, disnarration and the forked (motorway) path. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 29–42.

Langacker R (1987) Foundations of Cognitive Grammar, Volume I, Theoretical Prerequisites. Stanford, CA: Stanford University Press.

Langacker R (1991) Foundations of Cognitive Grammar, Volume II, Descriptive Application. Stanford, CA: Stanford University Press.

Langacker R (2008) Cognitive Grammar: A Basic Introduction. Oxford: Oxford University Press.

Lecercle JJ (1999) Interpretation as Pragmatics. New York, NY: St Martin’s Press.

Leighton A (2018) Hearing Things: The Work of Sound in Literature. Cambridge, MA: Belknap Harvard.

Levinson SC (1983) Pragmatics. Cambridge: Cambridge University Press.

Louw B (1993) Irony in the text or insincerity in the writer? The diagnostic potential of semantic prosodies. In: Baker M Francis G Tognini-Bonelli (eds) Text and Technology: In Honour of John Sinclair. Amsterdam; Philadelphia, PA: John Benjamins, pp. 157–176.

Matheson R ([1954] 2001) I Am Legend. London: Orion.

McIntyre D (2018) Irony and semantic prosody. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 81–99.

McIntyre D Price H (2018) Stylistics: studying literacy and everyday style in English. In: Seargeant P Hewings A Pihlaja S (eds) The Routledge Handbook of English Language Studies. London; New York: Routledge, pp. 327–344.

Macrae A (2018) Positioning the reader in post-apartheid literature of trauma: I and You in Zoe Wicomb’s David’s story. In: Gibbons A Macrae A (eds) Pronouns in Literature. Basingstoke: Palgrave Macmillan, pp. 55–74.

Mahlberg M Wiegand V (2018) Corpus stylistics, norms and comparisons: Studying speech in Great Expectations. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp.123–144.

Mandon N (2018) Simulating ignorance: Irony and banter on Congreve’s stage. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 103–120.

Marcus I (2018) The Linguistics of Spoken Communication in Early Modern English Writing: Exploring Bess of Hardwick’s Manuscript Letters. Basingstoke: Palgrave Macmillan.

Miall D (2018) Towards an empirical model of literariness. Scientific Study of Literature 8(1): 21–46.

Montoro R (2018a) Investigating syntactic simplicity in popular fiction: A corpus stylistics approach. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 63–78.

Montoro R (2018b) The creative use of absences. A corpus stylistic approach to Henry Green’s Living. International Journal of Corpus Linguistics 23(3): 279–310.

Moreton E (2018) ‘We work hard here’: Exploring person and place deixis in a corpus of historical migrant letters. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 79–102.

Muždeka N (2018) Not all human trafficking is created equal: Transnational human trafficking in the UK and Serbian news media texts – narratological and media studies approaches. In: Gregoriou C (ed) Representations of Transnational Human Trafficking: Present-day News Media, True Crime, Fiction. Basingstoke: Palgrave Macmillan, pp. 61–68.

Neary C Ringrow H (2018) Media, power and representation. In: Seargeant P Hewings A Pihlaja S (eds) The Routledge Handbook of English Language Studies. London; New York: Routledge, pp. 294–309.

Nuttall L (2018) Mind Style and Cognitive Grammar: Language and Worldview in Speculative Fiction. London; New York: Bloomsbury.

Olsson J (2018) More Wordcrime: Solving Crime with Linguistics. London; New York: Bloomsbury.

O’Toole M (2018) The Hermeneutic Spiral and Interpretation in Literature and the Visual Arts. London; New York: Routledge.

Page R Busse B Nørgaard N (eds) (2018) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge.

Partington A (2014) Mind the gaps. The role of corpus linguistics in researching absences. International Journal of Corpus Linguistics 19(1): 118–146.

Piata A (2018) The Poetics of Time – Metaphors and Blends in Language and Literature. Amsterdam; Philadelphia, PA: John Benjamins.

Piazza R Bednarek M Rossi F (eds) (2011) Telecinematic Discourse: Approaches to the Language of Films and Television Series. Amsterdam; Philadelphia, PA: John Benjamins.

Pihlaja S (2018) ‘Hey You Tube’: Positioning the viewer in vlogs. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 254–266.

Pillière L (2018) The point of banter in the television series Pointless. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp.141: 164.

Pinto MV (2018) Variation in movies and television programmes: The impact of corpus sampling. In: Werner V (ed.) The Language of Pop Culture. London; New York: Routledge, pp. 139–161.

Popova YB (2015) Stories, Meaning, and Experience: Narrativity and Enaction. London; New York: Routledge.

Renkema J (2004) Introduction to Discourse Studies. Amsterdam; Philadelphia, PA: John Benjamins.

Renkema J Schubert C (2018) Introduction to Discourse Studies. Amsterdam; Philadelphia, PA: John Benjamins.

Richardson K (2010) Television Dramatic Dialogue. Oxford: Oxford University Press.

Ruano P (2018a) A corpus-based approach to Charles Dickens’s use of direct thought presentation. Corpora 13(3): 319–345.

Ruano P (2018b) Dickens’s hyperbolic style revisited: Verbs that describe sounds made by animals used to report the words of male villains. Style 52(4): 475–493.

Salgaro M (2018) Historical introduction to the special issue on literariness. Scientific Study of Literature 8(1): 6–18.

Savoy J (2018) Is Starnone really the author behind Ferrante? Digital Scholarship in the Humanities 33(4): 902–918.

Schubert C (2018) Verbal humor in crime drama television: A cognitive-linguistic approach to popular TV series. In: Werner V (ed.) The Language of Pop Culture. London; New York: Routledge, pp. 162–184.

Scott J (2018) The language of creative writing. In: Seargeant P Hewings A Pihlaja S (eds) The Routledge Handbook of English Language Studies. London; New York: Routledge, pp. 280–293.

Seargeant P Hewings A Pihlaja S (eds) (2018) The Routledge Handbook of English Language Studies. London; New York: Routledge.

Semino E Swindlehurst K (1996) Metaphor and mind style in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Style 30(1): 143–166.

Shen D (2018) Dual narrative progression as dual authorial communication: Extending the rhetorical model. Style 52(1–2): 61–66.

Simonin O (2018) Verbal irony, politeness . . . and three ironic types. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 59–80.

Simpson P (2011) ‘That’s not ironic, that’s just stupid’: Towards an eclectic account of the discourse of irony. In: Dynel M (ed) The Pragmatics of Humour across Discourse Domains. Amsterdam; Philadelphia, PA: John Benjamins, pp. 33–50.

Simpson P Mayr A Statham S (2018) Language and Power. 2nd edition. London; New York: Routledge.

Sorlin S (2018a) The Rolling Stones promoting Monty Python: The power and irony of banter. In: Jobert M Sorlin S (eds) The Pragmatics of Irony and Banter. Amsterdam; Philadelphia, PA: John Benjamins, pp. 195–214.

Sorlin S (2018b) Strategies of involvement and moral detachment in House of Cards. Journal of Literary Semantics 47(1): 21–41.

Spilioti T (2018) The language of social media. In: Seargeant P Hewings A Pihlaja S (eds) The Routledge Handbook of English Language Studies. London; New York: Routledge, pp. 310–324.

Stockwell P (2009) Texture: A Cognitive Aesthetics of Reading. Edinburgh: Edinburgh University Press.

Stubbs M (2018) The (very) long history of corpora, concordances, collocations and all that. In: Čermáková A Mahlberg M (eds) The Corpus Linguistic Discourse: In Honour of Wolfgang Teubert. Amsterdam; Philadelphia, PA: John Benjamins, pp. 9–34.

Sullivan K (2018) Mixed Metaphors: Their Use and Abuse. London; New York: Bloomsbury.

Summer T (2018) An analysis of pop songs for teaching English as a foreign language: Bridging the gap between corpus analysis and teaching practice. In: Werner V (ed) The Language of Pop Culture. London; New York: Routledge, pp. 187–209.

Teubert W (2010) Meaning, Discourse and Society. Cambridge: Cambridge University Press.

Teubert W (2018) The citizen caught between dialogue and bureaucracy. In: Page R Busse B Nørgaard N (eds) Rethinking Language, Text and Context: Interdisciplinary Research in Stylistics in Honour of Michael Toolan. London; New York: Routledge, pp. 303–320.

Toolan M (1992) Language, Text and Context. London; New York: Routledge.

Toolan M (2016) Making Sense of Narrative Text: Situation, Repetition, and Picturing in the Reading of Short Stories. London; New York: Routledge.

Toolan M (2018) The Language of Inequality in the News: A Discourse Analytic Approach. Cambridge: Cambridge University Press.

Tuzzi A Cortelazzo MA (2018) What is Elena Ferrante? A comparative analysis of a secretive bestselling Italian writer. Digital Scholarship in the Humanities 33(3): 685–702.

Wales K (1996) Personal Pronouns in Present Day English. Cambridge: Cambridge University Press.

Wales K (2018) ‘I Am Thy Father’s Spirit’: The first-person pronoun and the rhetoric of identity in Hamlet. In: Gibbons A Macrae A (eds) Pronouns in Literature. Basingstoke: Palgrave Macmillan, pp. 15–32.

Walshe S (2018) Pardon my French . . . and German . . . and Spanish . . . (Mis)speaking in tongues in Marvel comics. In: Werner V (ed.) The Language of Pop Culture. London; New York: Routledge, pp. 49–71.

Wang WM (2018) Hearing the unsaid: Musical narration in The Journey of Flower and Nirvana in Fire. Narrative 26(1): 80–103.

Webster JJ Butt D (2018) From the workbench: The ‘knight’s move’ in Halliday’s long conversation between verbal art and verbal science. In: Webster JJ (ed) The Bloomsbury Companion to M.A.K. Halliday. London; New York: Bloomsbury, pp. 500–520.

Webster JJ (ed) (2015) The Bloomsbury Companion to M.A.K. Halliday. London; New York: Bloomsbury.

Weidman SG O’Sullivan J (2018) The limits of distinctive words: Re-evaluating literature’s gender marker debate. Digital Scholarship in the Humanities 33(2): 374–390.

Werner V (ed) (2018) The Language of Pop Culture. London; New York: Routledge.

Westphal M (2018) Pop culture and the globalization of non-standard varieties of English: Jamaican Creole in German reggae subculture. In: Werner V (ed.) The Language of Pop Culture. London; New York: Routledge, pp. 95–115.

Woods J (2018) Truth in Fiction: Rethinking Its Logic. New York: Springer.