“Original sufferhead”: The boy-child and masculine sufferings in Ahmadou Kourouma’s Allah n’est pas obligé and Les Soleils des Indépendances

Abstract

Revered as one of the principal figures of contemporary African literature and one of the greatest francophone writers, the celebrated Ivorian author; Ahmadou Kourouma, is renowned for his criticism of colonial machination, Africa's political and social structure, and satirical writings. In his selected works for this study—“Allah n’est pas obligé” and “Soleils des indépendances,” he profoundly explores and examines the arduous journey of the boy-child and manhood and how they grapple with societal pressures, expectations, challenges, exploitations, and conflicts. More so, he expounds the complexities of masculinity and the challenges of being a “man” in an African society. Thus, this study comprehensively explores the narratives of Kourouma and punctiliously investigates how they illume the intricacies of masculinity and the course of the boy-child. By adopting literary analysis, this study anatomizes the plotlines and characters within the selected works of the Ivorian prodigy and elucidates how the tribulations of the boy-child and the man are vividly depicted. It probes the societal expectations, identity crises, and emotional turmoil linked to these characters who struggle to navigate the turbulent pathway to manhood. Additionally, it spills the allegorical significance of “original sufferhead,” a musical piece from the legendary Fela Anikulapo Kuti, serving as a puissant metaphor that captures the struggles of the boy and the man in a failing society.