Abstract
This article analyses Jérôme Ferrari’s novel Le Principe, reflecting on the life and research of Werner Heisenberg, whose famous uncertainty principle is thus explored as a paradigm of a whole series of epistemological, existential and ethical quandaries. Juxtaposing the author/narrator’s personal vicissitudes with the ambivalent trajectory of the Nobel Prize-winning physicist who, without being a Nazi, carried out nuclear research under Hitler’s authority, Ferrari’s text proves to be emblematic not only of the tragic legacy of the twentieth century, but also of twenty-first-century narratives seeking existential significance, intellectual lucidity and aesthetic fulfilment in a world seemingly dominated by unprincipled finance and runaway technology.
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