Herculano Sá de Figueiredo’s sculptures remained anonymous inside the Conde de Ferreira Hospital of Oporto (Portugal) for over 30 years. The accidental discovery of the patient’s clinical file enabled the authors of this paper to establish the link between the man, his work and his psychiatric pathology. The artwork kept in the hospital was not previously known in academic and artistic circles. Studying and recovering Figueiredo’s work is important because a considerable part of his oeuvre was produced from 1955 to 1973, when he was a patient in the Conde de Ferreira Hospital. The models represented in his sculptures were technicians and patients at the institution.
