Abstract
Modernity is marked by the separation of ethics from aesthetics, and both are thought to be detached from issues of truth. Overall I argue that this is a secular rubric that can be successfully challenged by a Christian ontology. This paper first historicises this situation, asking how this scenario came about. In this regard Immanuel Kant is identified as the prime cause of the modern separation of truth-telling from acting well and aesthetic discernment. Adorno's attempt to escape the Kantian legacy by focusing on asethetic judgement is then considered; it is subsequently argued that Adorno's hopes can only be realised by a Christian ontology that can provide an account of unalienated judgement. Finally, the ontology that would allow such a discernment is sketched out as well as a phenomenological and aesthetic outline of how we might know this state of affairs.
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