Apel, K.-O. (1981) Charles S. Peirce: From Pragmatism to Pragmaticism , trans. John Michael Krois, Amherst, Mass.: University of Massachusetts Press.
2.
Baudelaire, C. (1975-6) 'Exposition universelle, 1855, Beaux-arts' in Oeuvres complètes, ed. C. Pichois, 2 vols, Paris: Gallimard , 2: 575-97.
3.
Bernard, E. (1975) L'Art plus que nous ... Correspondance d'Emile Bernard avec Milos Marten, 1908-1914 [Art Beyond Ourselves ... Correspondence of Emile Bernard with Milos Marten, 1908-1914], ed. J. A. Stuart, Grenoble: Service des Publications de l'Université des Sciences Sociales de Grenoble.
4.
Cuno, J. (1985) 'Charles Philipon and La Maison Aubert: The Business, Politics, and Public of Caricature in Paris, 1820-1840', unpublished PhD dissertationHarvard University.
5.
Derrida, J. (1973) Speech and Phenomena, trans. D. B. Allison, Evanston, Ill.: Northwestern University Press.
6.
Derrida, J. (1976) Of Grammatology, trans. G. C. Spivak, Baltimore, Md: Johns Hopkins University Press.
7.
Duret, T. (1885) Critique d'avant-garde [Critique of the Avant-garde], Paris: Charpentier.
8.
Eco, U. ( 1976) A Theory of Semiotics, Bloomington, Ind.: Indiana University Press.
9.
Fry, R. and MacCarthy, D. (1910) Manet and the Post-Impressionists, London: Grafton Galleries.
10.
Greenberg, C. (1961) 'Abstract, representational, and so forth', in Art and Culture, Boston, Mass.: Beacon Press, 133-8.
11.
Oldenburg, C. (1967) 'Jackson Pollock: an artist's symposium, part 2', Art News66, 3: 27, 66-7.
12.
Peirce, C.S. (1960) Collected Papers, ed. C. Hartshorne and P. Weiss, 8 vols, Cambridge, Mass .: Harvard University Press.
13.
Pollitt, J.J. (1974) The Ancient View of Greek Art: Criticism, History, and Terminology, New Haven, Conn.: Yale University Press.
14.
Porcheron, E. (1876) 'Promenades d'un flâneur: Les impressionnistes' [An idler's tour: The Impressionists], Le Soleil , 4 April.
15.
Rousseau, J.-J. (1986) 'Essay on the origin of languages', in On the Origin of Language, trans. J. H. Moran, Chicago: University of Chicago Press, 5-74.
16.
Sandrart, J. von (1675) Teutsche Academie der Bau- Bild- und Mahlerey-Kuenste [German Academy of the Arts of Architecture, Sculpture and Painting], Nuremberg.
17.
Sandrart, J. von (1683) Academia noblissimae artis pictoriae [Academy of the Most Noble Pictorial Art], Nuremberg.
18.
Shiff, R. (1984a) Cézanne and the End of Impressionism , Chicago: University of Chicago Press .
19.
Shiff, R. (1984b) 'Representation, copying, and the technique of originality', New Literary History15: 333-63.
20.
Shiff, R. (1987) 'Anamorphosis: Jasper Johns', in J. Cuno (ed.) Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns , Los Angeles: Wight Art Gallery, University of California, 147-66.
21.
Thoré, T. [Bürger, W.] (1866) 'Van der Meer de Delft' [Van der Meer of Delft], Gazette des beaux-arts21: 297-330, 458-70, 542-75.
22.
Vaughan, J. (1902) Nelson's New Drawing Course, Drawing Design and Manual Occupations (Teacher's Manual, Stage 1), London : Thomas Nelson & Sons.
