Winckelmann and Pater,Morelli and Freud: The Tropics of Art Historical Discourse

Bann, S. (1984) The Clothing of Clio, Cambridge: Cambridge University Press.

Barolsky, P. (1987) WalterPater's Renaissance, University Park and London : Pennsylvania State University Press.

Baudelaire, C. (1972) Selected Writings on Art and Artists , trans. P. E. Charvet, Harmondsworth: Penguin.

Berenson, B. (1912) The Study and Criticism of Italian Art , London.

Carrier, D. (1984) 'On narratology', Philosophy and Literature 8: 32-42.

Carrier, D. (1985) 'Manet and his interpreters', Art History 8: 320-55.

Carrier, D. (1986) 'The presentness of painting: Adrian Stokes as aesthetician', Critical Inquiry 12: 753-68.

Carrier, D. (1987a) 'Ekphrasis and interpretation: the modes of art history writing', British Journal of Aesthetics XXVII: 20-31.

Carrier, D. (1987b) Art Writing, Amherst, Mass.: University of Massachusetts Press.

Carrier, D. (1987c) 'The transfiguration of the commonplace: Caravaggio and his interpreters', Word and Image 3: 41-73.

Carrier, D. (1987d) 'Naturalism and allegory in Flemish painting' , Journal of Aesthetics and Art Criticism XLV: 237-49.

Carrier, D. (1987e) 'Piero della Francesca and his Interpreters: is there progress in art history?', History and Theory XXVI: 150-65.

Carrier, D. (1988) 'Gavin Hamilton's Oath of Brutus and David's Oath of the Horatu: the revisionist interpretation of neo-classical art', The Monist L71,2: 197-213.

Carrier, D. (forthcoming) 'circa 1640', New Literary History .

Clark, K.M. (1956) The Nude: A Study in Ideal Form, New York: Pantheon Books.

Foucault, M. (1970) The Order of Things: An Archeology of the Human Sciences, trans. anonymous, New York: Pantheon Books.

Freedburg, S.J. (1971) Painting in Italy 1500-1600, Harmondsworth: Penguin.

Fried, M. (1980) Absorption and Theatricality: Painting and Beholder in the Age of Diderot, Berkeley, Calif. and London : University of California Press.

Fried, M. (1986) 'Antiquity now: reading Winckelmann on imitation' , October 37: 87-97.

Friedlaender, M. (1942) On Art and Connoisseurship, London: Bruno Cassirer.

Ginzburg, C. (1984) 'Clues: Morelli, Freud, and Sherlock Holmes', in U. Eco and T. A. Sebeok (eds) The Sign of Three: Dupin, Holmes, Peirce, Bloomington, Ind.: Indiana University Press.

Gombrich, E.H. (1966) 'Freud's aesthetics', Encounter XXVI: 30-40.

Gombrich, E.H. (1971) The Ideas of Progress and their Impact on Art , New York: Cooper Union School of Art and Architecture.

Haskell, F. and Penny, N. (1982) Taste and the Antique: The Lure of Classical Sculpture 1500-1900, New Haven, Conn. and London: Yale University Press.

Hauser, A. (1963) The Philosophy of Art History, New York: Meridian Books.

Hegel, G.W.F. (1975) Aesthetics: Lectures on Fine Art, trans. T. M. Knox, Oxford: Clarendon Press.

Herder, J.G. (1953) 'Denkmal Johann Winckelmann', Werke in zwei Baenden, Munich.

Howard, D. (1985) 'Giorgione's Tempesta and Titian's Assunta in the context of the Cambrai wars', Art History 8: 271-85.

Jauss, H.R. (1973) 'Geschichte der Kunst und Historie', in R. Koselleck and W. D. Stempel (eds) Geschichte, Ereignis und Erzaehlung, Munich.

Kant, I. (1952) The Critique of Judgement trans. J. Meredith, Oxford: Clarendon Press.

Kaplan, P.H.D. (1986) 'The storm of war: the Paduan key to Giorgione's Tempesta', Art History 9: 405-19.

Keruzer, I. (1959) Studien zu Winckelmanns Aesthetik, Berlin: Akademie Verlag.

Land, N.E. (1984) 'On the poetry of Giovanni Bellini's Sacred Allegory' , Artibus et historiae revista internazionale di arti visive e cinema 10: 61-6.

Laplanche, J. and Pontalis, J.B. (1974) The Language of Psycho-Analysis, trans. D. Nicholson-Smith, New York: Norton .

Lessing, G.E. (1957) Laocoon: An Essay upon the Limits of Painting and Poetry, trans. E. Frothingham, New York: Noonday Press.

Morelli, G. (1892) Italian Painters: Critical Studies of Their Works , trans. C. J. Ffoulkes, London: J. Murray.

Panofsky, E. (1968) Idea: A Concept in Art Theory, trans. J. Peake, Columbia: University of South Carolina Press.

Panofsky, E. (1969) Renaissance and Renascences in Western Art , New York: Harper and Row.

Pater, W. (1980) The Renaissance: Studies in Art and Poetry , ed. D. L. Hill, Berkeley, Calif., Los Angeles, London: University of California Press.

Potts, A. (1978) 'Political attitudes and the rise of historicism in art history', Art History 1: 193.

Potts, A. (1981) 'Winckelmann's Interpretation of the History of Ancient Art in its Eighteenth Century Context', unpublished doctoral dissertation , University of London.

Potts, A. (1982) 'Winckelmann's construction of history' Art History 5: 377.

Praz, M. (1969) On Neoclassicism, trans. A. Davidson, Evanston, Ill.: Northwestern University Press.

Previtali, G. (1984) 'A propos de Morelli', Revue de l'art 42: 27-31.

Schiller, F. (1967) On the Aesthetic Education of Man, trans. E. Wilkinson and L. A. Willoughby, Oxford: Clarendon Press.

Seymour, C., Jr (1966) Sculpture in Italy 1400 to 1500, Harmondsworth: Penguin.

Shiff, R. (1988) 'Art history and the nineteenth century', Art Bulletin LXX: 25-48.

Stafford, B. (1980) 'Beauty of the invisible: Winckelmann and the aesthetics of imperceptibility', Zeitschrift fuer Kunstgeschichte 43: 65-78.

Vasari, G. (1963) Lives of the Painters, Sculptors and Architects , trans. A. B. Hinds, London: Dent.

Wakefield, D. (ed.) (1975) Stendhal and the Arts, London: Phaidon.

Wellbery, D.E. (1984) Lessing's 'Laocoon': Semiotics and Aesthetics in the Age of Reason, Cambridge: Cambridge University Press.

White, H. (1973) Metahistory: The Historical Imagination in Nineteenth - Century Europe, Baltimore, Md and London: Johns Hopkins.

White, H. (1978) Tropics of Discourse: Essays in Cultural Criticism , Baltimore, Md and London: Johns Hopkins.

White, H. (1985) The Content of the Form: Narrative Discourse and Historical Representation, Baltimore, Md and London : Johns Hopkins.

Winckelmann, J.J. (1964) Geschichte der Kunst des Altertums, Weimar: Hermann Boehaus.

Winckelmann, J.J. (1880) The History of Ancient Art, trans. G. H. Lodge, Boston, Mass.: J. R. Osgood and Company.

Wollheim, R. (1980) Art and its Objects, Cambridge: Cambridge University Press.