This article examines the anti-fascist rhetoric of the self-proclaimed `revolutionary liberal', Piero Gobetti, in Italy in the early 1920s. Gobetti is interesting from a rhetorical perspective for two reasons: first, for his efforts to redefine liberalism as an emancipatory ethic of struggle that extended to the revolutionary worker's movement; and second, for his rejection of fascism as essentially continuous with the anti-conflictual tendencies of the liberal parliamentary regime. An exemplary `ideological innovator', Gobetti's `paradiastolic' redescription of liberalism and his metaphorical reading of fascism underscored a commitment to the value of rhetorical disputation over the meaning and form of liberty. This contrasts with contemporary approaches to fascism — and purportedly similar ideologies — which demonize or objectify in a way that forestalls such a debate. Yet, paradoxically, the cost of Gobetti's innovations was an inability to secure what Perelman calls the `universal audience', a task that preoccupied Gobetti's Marxist friend, Gramsci.
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