Both a tribute and ritual of remembrance, “And then came culture” elaborates the intensely political critique that Trouillot commanded throughout his life. Whether writing about Haiti, the silences of history, neocolonialism, or the relations between state and nation, he fought hard against the academic generalities and benign consensus that hid the realities of racism and erasure. One of the words that most haunted him—its uses and abuses—was the word “culture.” I trace that compelling concern throughout his work, most especially in a piece called “Adieu, Culture: A New Duty Arises,” a necessary warning about and corrective to the limits of liberal discourse.
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