Abstract
This article presents an ethnographic analysis of the state-sponsored Pan-African Historical Festival (PANAFEST) and Emancipation Day celebrations that commemorate Ghana's history of Pan-African and slavery while promoting `heritage tourism'. I argue that with calls for African emancipation and Pan-African cooperation, these celebrations create the space for the state's concrete production of social meanings around history, politics, and, especially, race. This Ghanaian state `race-craft', specifically, is revealed through the deployment of a particular narrative of slavery that allows for not only the explicit claim to racial affiliation with diaspora Black communities, but it also enables the recalling of Ghana's own racialized heritage for the production of new national subjectivities. It is also significant that, along with the concomitant growth of the global heritage tourism industry, these PANAFEST/Emancipation Day celebrations are occurring within the context of a shift to a neoliberal economic agenda. As the Ghanaian state continues to host and sponsor these international Pan-Africanist events, it draws on its position in the global economy to craft local and transnational racial subjectivity.
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