Celluloid Comrades

Abbas, Ackbar. Hong Kong: Culture and the Politics of Disappearance. Minneapolis and London: University of Minnesota Press, 1997.

An, Keqiang. Hong taiyang xia de hei linghun: Dalu tongxinglian xianchang baodao (Black souls under the red sun: live report on homosexuality in the mainland) . Taipei: Shibao wenhua, 1995.

Andrew, Dudley. "Film and Society: Public Rituals and Private Space." East-West Film Journal 1, no. 1 (1986): 7-22.

Appadurai, Arjun. "Disjuncture and Difference in the Global Cultural Economy." Theory, Culture & Society 7, nos. 2-3 ( 1990 ): 295-310.

Arroyo, José. "Film Studies." In Lesbian and Gay Studies: A Critical Introduction, edited by Andy Medhurst and Sally R. Munt. London and Washington : Cassell, 1997.

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Berry, Chris. "Zhang Yuan: Thriving in the Face of Adversity." Cinemaya , no. 32 (1996 ): 40-43.

—. "East Palace, West Palace: Staging Gay Life in China." Jump Cut, no. 42 (1998 ): 84-89.

Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment . Cambridge, Mass. and London: Harvard University Press, 2000.

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Cai, Mingliang. Heliu (The river) Taipei: Huangguan , 1997.

Chiao, Peggy Hsiung-ping. "Happy Together: Hong Kong's Absence." Cinemaya , no. 38 (1997): 17-21.

Chou, Wah-shan. Tongzhi: Politics of Same-Sex Eroticism in Chinese Societies . New York, London, Oxford: The Haworth Press , 2000.

Chow, Rey. "Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together." Camera Obscura, no. 42 (1999): 30-49.

Doyle, Christopher. "Don't Try for Me, Argentina." In Projections 8: Film-makers on Filmmaking, edited by John Boorman and Walter Donohue. London and Boston: Faber & Faber, 1998.

Fang, Gang. Tongxinglian zai Zhongguo (Homosexuality in China). Changchun : Jilin renmin chubanshe, 1995.

Hansen, Mariam. "Early Cinema, Late Cinema: Permutations of the Public Sphere." Screen 34, no. 3 (1993): 197-210.

Havis, Richard James. "Wong Kar-Wai: One Entrance, Many Exits." Cinemaya , no. 38 (1997): 15-6.

Hu, Youfeng. "Zhongguo de Jieke Pailiansi: Miao Tian" (The Chinese Jack Palance : Miao Tian). In Heliu (The river) edited by Cai Mingliang. Taipei : Huangguan, 1997.

Huang, Wulan, ed. Dangdai Zhongguo dianying: 1998 (Contemporary Chinese cinemas: 1998) Taipei: Shibao wenhua, 1999.

Ji, Yu. "Bawang bie ji gei guanzhong dailai le shenme?" (What has Farewell my concubine brought to the audience?). Qiushi , no. 99 (1994): 45-47.

Jiao, Xiongping. Fengyunjihui: yu dangdai Zhongguo dianying duihua (Rendezvous of the wind and cloud: dialogue with contemporary Chinese cinema). Taipei: Yuanliu, 1998.

Li, An and Feng Guangyuan. Xiyan (The wedding banquet). Taipei: Shibao wenhua, 1993.

Li, Xiaoxian. "Guan Jinpeng zou chu yigui zhihou: tan Nansheng nüxiang" (After Stanley Kwan walked out of the closet: on Yang ± Yin: Gender in Chinese Cinema). Dianying xinshang (Film appreciation journal), no. 88 (August 1997): 55-60.

Li , Yinhe. Tongxinglian yawenhua (Subculture of homosexuality). Beijing: Jinri Zhongguo chubanshe, 1998.

Li , Yinhe and Wang Xiaobo. Tamen de shijie: Zhongguo nan tongxinglian qunluo toushi (Their world: an investigation into China's male homosexual community). Shanxi: Shanxi renmin chubanshe, 1992.

Lilley, Rozanna. Staging Hong Kong: Gender and Performance in Transition. Surrey, Richmond: Curzon Press, 1998.

Liu, Zeyuan. "Happy Together with Leslie." Dianying shuang zhoukan (City entertainment) , no. 474 (12-25 June 1997): 32-33.

Lu, Sheldon Hsiao-peng. "Introduction." In Transnational Chinese Cinemas: Identity, Nationhood, Gender, edited by Sheldon Hsiao-peng Lu. Honolulu : University of Hawaii Press , 1997a.

-. "National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou." In Transnational Chinese Cinemas: Identity, Nationhood, Gender, edited by Sheldon Hsiao-peng Lu. Honolulu: University of Hawaii Press, 1997b.

Ma, Yingli. "Rensheng jiu xiang yitiao he: yu Cai Mingliang tan Heliu" (Life is like a river: conversations with Tsai Ming-Liang on The River). Dianying shuang zhoukan (City entertainment), no. 468 (20 March-2 April 1997): 40-42.

Marchetti, Gina. "Plural and Transnational." Jump Cut , no. 42 (1998): 68-72.

Medhurst, Andy. "Notes on Recent Gay Film Criticism." In Gays and Film , edited by Richard Dyer. New York: New York Zoetrope, 1984.

Peng, Yiping. "Chunguang zha xie: 97 qian rang women kuaile zai yiqi" (Happy together: let us be happy together before 97). Dianying shuang zhoukan (City entertainment), no. 473 (29 May-11 June 1997): 40-45.

Rayns, Tony. "Ba Wang Bie Ji (Farewell my concubine)." Sight and Sound (January 1994a): 41-42.

-. "The Narrow Path: Chen Kaige in Conversation with Tony Rayns." In Projections 3: Film-makers on Film-making, edited by John Boorman and Walter Donohue. London: Faber & Faber, 1994b.

-. "Provoking Desire." Sight and Sound (July 1996), 26-29.

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Reynaud, Bérénice , "Gay Overtures: Zhang Yuan's Dong Gong, Xi Gong." Cinemaya , no. 36 (1997 ): 31-33.

Rivière, Danièle and Tsai Ming-Liang. "Scouting." In Tsai Ming-Liang , edited by Jean-Pierre Rehm, Olivier Joyard, and Danièle Rivière. Paris: Dis Voir, 1999.

Russo, Vito. The Celluloid Closet: Homosexuality in the Movies, revised edition. New York: Harper & Row, 1987.

Stokes, Lisa Odham and Michael Hoover. City on Fire: Hong Kong Cinema London and New York: Verso, 1999.

Tang, Qiandai and Xu Ruilan. "Xu Ligong tan canzhan xinde yu yingzhan celüe" (Hsu Li-kong on experiences and strategies in participating in film festivals). Yingxiang (Imagekeeper), no. 61 (May 1995 ): 51-57.

Xiao, Wenhui. "Zhege ren feichang Lin Yihua" (This man is very Lin Yihua), Eslitebookreview , no. 17 (August 1994): 54-56.

Yang ± Yin: Gender in Chinese Cinema. Directed by Stanley Kwan ; 80 mins., British Film Institute (videocassette).

Zhang, Beichuan. Tongxing'ai (Same-sex love). Shandong: Shandong kexue jishu chubanshe, 1994.

Zhang, Liangbei. "Shishi beijing qian huodong de renmen: Chen Kaige tan Bawang bie ji" (People moving in front of the epic background: Chen Kaige on Farewell my concubine) . Dianying xinshang (Film appreciation journal), no. 67 (January/February 1994): 68-74.

Zhang, Yingjin. "Chinese Cinema and Transnational Cultural Politics: Reflections on Film Festivals, Film Productions, and Film Studies." Journal of Modern Literature in Chinese 2, no. 1 (1998): 105-32.

Zhou, Huashan. Beijing tongzhi gushi (Beijing comrade stories). Hong Kong : Xianggang tongzhi yanjiushe, 1996.

—. Hou zhimin tongzhi (Postcolonial comrades). Hong Kong: Xianggang tongzhi yanj iushe, 1997.