In this article, I use ethnographic data and twenty-five interviews collected over a period of four years at the Walnut Valley Festival, an annual folk musicians’ festival, to explore how attendees construct and maintain a meaningful sense of “place.” I argue that place is created through the repetition of traditional rituals that both physically and symbolically transform space into what participants call “home.” Of these, the most important are musical rituals in the form of “jams.” As a cultural performance, and through repeated participation over the years, musical ritual synthesizes the past and present, a merging that generates shared, heightened emotions among participants that leads to states of liminality and communitas. It is through attendees’ continued participation in musical, cultural performance, and the shared meaning, emotion, and memory that it provides that place is created and maintained at the festival.
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