“So Close to the Banks of Oblivion” An American Master is Rediscovered

Abstract

Inattention has doomed too many masters. Without provenance, context or an appreciation for cultural continuity, artistic treasures become disposable bric-a-brac. And so it nearly was for two companion bianco Carrara marbles that had lain unattested for decades in the storage of a small Idaho museum. Now proven by extensive research to be the works of sculptor Madison Colby (1842-1871), the 19-inch rondels bespeak a talent abruptly silenced by tuberculosis but not too soon to escape the notice of the San Francisco and Chicago art communities. Having experienced this resurrection, Colby’s undeniable skill but sadly limited catalog can once again enjoy a deserved acclaim.