Adorno, T. W. (1973) Philosophy of Modern Music, trans. W. Blomster. London: Sheed and Ward.
2.
Adorno, T. W. (1981) Aesthetic Theory, trans. C. Lenhardt. London: Routledge and Kegan Paul.
3.
Barry, Kevin (1987) Language, Music and the Sign. Cambridge: Cambridge University Press.
4.
Bergeron, Katherine and Bohlman, Philip V. (eds) (1992) Disciplining Music: Musicology and its Canons. Chicago: University of Chicago Press.
5.
Citron, Marcia J. (1993) Gender and the Musical Canon. Cambridge: Cambridge University Press.
6.
Cooke, Deryck (1959) The Language of Music. London: Oxford University Press.
7.
de Man, Paul (1979) Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Johns Hopkins University Press.
8.
de Man, Paul (1983) Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. London: Methuen.
9.
de Man, Paul (1984) The Rhetoric of Romanticism. New York: Columbia University Press.
10.
de Man, Paul (1986) The Resistance to Theory. Minneapolis: University of Minnesota Press.
11.
Derrida, Jacques (1967) De la Grammatologie. Paris: Editions de Minuit.
12.
Downing, Thomas A. (1995) Music and the Origins of Language: Theories from the French Enlightenment. Cambridge: Cambridge University Press.
13.
Dunsby, Jonathan (1981) Structural Ambiguity in Brahms: Analytical Approaches to Four Works. Ann Arbor: Michigan State University Press.
14.
Dunsby, Jonathan (1983) `The Multi-Piece in Brahms: Fantasien Op. 116', in R. Pascall (ed.) Brahms: Biographical, Documentary and Analytical Studies. Cambridge: Cambridge University Press.
15.
Dunsby, Jonathan (1989) `Pierrot Lunaire and the Resistance to Theory', Musical Times130: 732-736.
16.
Eagleton, Terry (1989) The Ideology of the Aesthetic. Oxford: Blackwell.
17.
Goehr, Lydia (1992) The Imaginary Museum of Musical Works: an Essay in the Philosophy of Music. Oxford: Clarendon Press.
18.
Hegel, G. W. F. (1975) Aesthetics: Lectures on Fine Art, trans. T. M. Knox. London.
19.
Kallberg, Jeffrey (1988) `The Rhetoric of Genre: Chopin's Nocturne in G minor', Nineteenth-Century Musicology11: 238-261.
20.
Kerman, Joseph (1980) `How We Got into Analysis, and How to Get Out', Critical Inquiry7: 311-331.
21.
Kerman, Joseph (1983) `A Few Canonic Variations', Critical Inquiry10: 107-125.
22.
Kerman, Joseph (1985) Musicology. London: Fontana.
23.
Korsyn, Kevin (1993) `Brahms Research and Aesthetic Ideology', Music Analysis12: 89-103.
24.
Lacoue-Labarthe, Philippe (1989) Typography: Mimesis, Philosophy, Politics, Christopher Fynsk (ed.). Cambridge, MA: Harvard University Press.
25.
Lacoue-Labarthe, Philippe (1995) Musica Ficta: Figures of Wagner, trans. Felicia McCarren. Cambridge: Cambridge University Press.
26.
Narmour, E. (1977) Beyond Schenkerism: the Need for Alternatives in Music Analysis. Chicago: University of Chicago Press.
27.
Neubauer, John (1986) The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-century Aesthetics. New Haven: Yale University Press.
28.
Norris, Christopher (1988) Paul de Man: Deconstruction and the Critique of Aesthetic Ideology. London: Routledge.
29.
Norris, Christopher (1989) `Utopian Deconstruction: Ernst Bloch, Paul de Man and the Politics of Music', in C. Norris (ed.) Music and the Politics of Culture, pp. 325-347. London: Lawrence and Wishart.
30.
Rorty, Richard (1982) `Philosophy as a Kind of Writing: an essay on Derrida', in Consequences of Pragmatism, pp. 90-109. Minneapolis: University of Minnesota Press.
31.
Rousseau, J.-J. (1990 [1781]) Essai sur l'origine des langues. Bordeaux: Guy Ducros.
32.
Scherzinger, Martin (1994) `The Finale of Mahler's Seventh Symphony: a Deconstructive Reading', Music Analysis14: 69-88:
33.
Solie, Ruth A. (1980) `The Living Work: Organicism and Musical Analysis', Nineteenth-Century Musicology4: 147-156.
34.
Street, Alan (1989) `Superior Myths, Dogmatic Allegories: the Resistance to Musical Unity', Music Analysis8: 77-123.
35.
Subotnik, Rose Rosengard (1988) `Toward a Deconstruction of Structural Listening: a critique of Schoenberg, Adorno and Stravinsky', in Eugene Narmour and Ruth Solie (eds) Explorations in Music, the Arts, and Ideas. New York: pp. 87-122.
36.
Subotnik, Rose Rosengard (1991) Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press.
37.
Sweeney-Turner, Steve (1995) `Speaking Without Tongues', Musical Times136: 183-186.
38.
Van den Toorn, Pieter (1995) Music, Politics, and the Academy. Berkeley: University of California Press.