Music,Mind and Programs

Bamberger, J. 1976 - "The Development of Musical Intelligence II: Children's Representation of Pitch Relations", A.I. Memo 401, Cambridge, Mass., MIT.

Becker, J. & A. 1979 - "A Grammar of the Musical Genre Srepegan ", Journal of Music Theory, XXIII, 1.

Block, N. 1980 - "What is Functionalism", in Readings in Philosophy of Psychology, N. Block ed., Cambridge, Mass., Harvard University Press.

Boiles, C. 1967 - "Tepehua Thought-Song: a Case of Semantic Signaling ", Ethnomusicology, XI, 3.

Cabanis, P. 1956 - Oeuvres Philosophiques, C. Lebec and J. Cazeneuve ed., Paris.

Camilleri, L. 1985 - "Linguistic Theory and Music", in Proceedings of the International Symposium on Music, Reason and Emotion, Ghent, University of Ghent, Communication and Cognition.

Chomsky, N. 1965 - Aspects of the Theory of Syntax, Cambridge, Mass., MIT Press.

Chomsky, N. 1975 - Reflections on Language, New York , Pantheon.

Chomsky, N. 1977 - Essays on Form and Interpretation, New York, Elsevier North-Holland.

Chomsky, N. 1980 - Rules and Representations, New York , Columbia University Press.

Clynes, M. 1983 - "Expressive Microstructure in Music Linked to Living Qualities", in J. Sundberg ed., Studies of Music Performance, Stockholm, Royal Swedish Academy of Music.

Dennett, D. 1978 - Brainstorms, Montgomery Vt ., Bradford Book.

Fodor, J.A. 1975 - The Language of Thought, New York , Thomas Y. Crowell.

Fodor, J.A. 1983 - The Modularity of Mind, Cambridge, Mass., MIT Press.

Hardy, T. 1951 - Jude the Obscure, London, Macmillan.

Hoffmann, E.T.A. 1957 - Die Automate, in Poetische Werke: Die Serapionsbrueder, vol. II, Berlin, Walter De Gruyter.

Keiler, A. 1978 - "The Syntax of Prolongation Pt. I", in Theory Only, III, 5.

Keiler, A. 1983 - "On Some Properties of Schenker's Pitch Derivation ", Music Perception, I, 2.

Kivy, P. 1979 - The Corded Shell: Reflections on Musical Expression , Princeton, Princeton University Press.

Kivy, P. 1984 - "Mattheson as Philosopher of Art", The Musical Quarterly, LXX 2.

La Mettrie, J.O. 1970 - "L'Homme Machine", in Oeuvres philosophiques, Hildesheim, G. Olms.

Lerdahl, F. & Jackendoff, R. 1983 - A Generative Theory of Tonal Music, Cambridge, Mass., MIT Press .

Liberman, M. & Prince, A. 1977 - "On Stress and Linguistic Rhythm", Linguistic Inquiry, VIII, 2.

Lycan, W. 1981 - "Form, Function and Feel", Journal of Philosophy, LXXVIII, 1.

Marr, D. 1982 - Vision, San Francisco, Freeman.

Minsky, M. 1975 - "A Framework for Representing Knowledge", in P. Winston ed., The Psychology of Computer Vision New York , McGraw Hill.

Minsky, M. 1982 - "Music, Mind and Meaning", in M. Clynes ed., Music, Mind and Brain New York, Plenum Press .

Schenker, H. 1926 - Das Meisterwerk in der Musik, Jahrbuch II, Munich, Drei Masken Verlag (tr. by O. Grossman, 1977 - "Organic Structure in Sonata Form", in M. Yeston ed., Readings in Schenkerian Analysis and Other Approaches, New Haven, Yale University Press).

Schenker, H. 1935 - Der Freie Satz, Vienna, Universal Edition (tr. by E. Oster, 1979 - Free Composition , New York, Longman).

Searle, J.R. 1980 - "Minds, Brains and Programs", in The Behavioral and Brain Sciences, III, 1.

Tarasti, E. 1983 - "De l'Interpretation musicale", Actes Semiotiques-Documents , V, 42.

Winston, P. 1982 - Artificial Intelligence, Cambridge, Mass., Addison-Wesley.