Baron, Robert (1997) ‘Copyright and Fair Use: The Great Image Debate. Editor’s Introduction, Summary and Analysis’ , Visual Resources: An International Journal of DocumentationXII (3-4).
2.
Bielstein, Susan M. (2006) Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property. Chicago: The University of Chicago Press .
3.
Brooks Adamset al. (1999) Sensation: Young British Artists From the Saatchi Collection. London: Thames & Hudson .
4.
Caviness, Madeline H. (1994) ‘Learning from Forest Lawn’ , Speculum69-69 .
5.
Caviness, Madeline H. (2001a) Visualizing Women in the Middle Ages: Sight, Spectacle, and Scopic Economy. The Middle Ages Series, ed. Ruth Mazo Karras.Philadelphia: University of Pennsylvania Press .
Caviness, Madeline H. (2002) ‘Iconclasme et iconophobie: quatre études de cas historiques’ , Diogène199-199 (juillet-septembre).
8.
Caviness, Madeline H. (2003) ‘Iconoclasm and Iconophobia: Four Historical Case Studies’ , Diogenes199: 99-114 .
9.
Elkin-Koren, Niva (2004) ‘The Internet and Copyright Policy Discourse’, in Helen Nissenbaum and Monroe E. Price (eds), Academy and the Internet, pp. 252-274. New York: Peter Lang .