Abstract
Several years before the recent French-American diplomatic squabble, Saul Bellow and Philip Roth, arguably America’s two greatest novelists, wrote major works of a markedly anti-French tenor. Indeed, both Ravelstein and The Human Stain, with their disparate griefs against the French, share a remarkably similar plot: against a back-drop of Gallic treachery, a courageously conservative academic, condemned to death by his sexual excesses, asks, before dying, a novelist friend to write the story of his life. Framed by a consideration of an idiosyncratic work of American sculpture that appears to depict the sexual servicing of Abraham Lincoln and an evocation of the career of William Bullitt, Freud’s collaborator on a study of Woodrow Wilson and America’s ambassador to Paris during the fall of France, this essay offers a reading of both novels and raises the question of American sanctimony and the price France may be expected to pay for it.
Get full access to this article
View all access options for this article.