The differences in use of master and individual controls for stage lighting dictate different criteria for the establishment of optimum dimming curves—smooth fading from one scene to another for the master, and compensation for the effect of small setting errors for individual controls
Get full access to this article
View all access options for this article.
References
1.
HanesR. M. “A scale of subjectivebrightness,” J. of Exp. Psvchol., vol. 39, 1949. p. 438.
