Abstract
Cultural geography is once again concerned with representations. In this report I focus on how, in the wake of various non-representational theories, recent work stays with what texts, images, words, and other representations do. I argue that this work is animated by a concern with the force of representations: their capacities to affect and effect, to make a difference. Accompanying this orientation to questions of force is a shift in the unit of analysis to ‘representations-in-relation’ and a multiplication of the modes of analysis through which cultural geography is performed, including the emergence of reparative and descriptive modes.
Get full access to this article
View all access options for this article.
