This article examines rhythmanalysis within the context of Henri Lefebvre’s critique of everyday life and identifies gaps in his framework from the vantage point of intersectional feminist scholarship. Intersectional rhythmanalysis, I argue, provides a framework through which to conceptualize the braiding together of rhythms, social categories of difference, and power on non-essentialist bases. I interweave findings from doctoral research on migrant farmworker rhythms in rural southern Ontario, Canada. The article argues that rhythms help produce unequal subject positions of migrants in Canada, yet also represent lived uses of space and times which permit transgressions of racial, gender, and class boundaries.
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